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Front Row

Live magazine programme on the worlds of arts, literature, film, media and music

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Folgen von Front Row

2000 Folgen
  • Folge vom 05.04.2022
    Mike Bartlett, Hannah Hodgson, Nick Laird
    The playwright Mike Bartlett is busy. The 47th, his dark comedy about the next presidential race, with Bertie Carvel giving an uncanny performance as Donald Trump is about to open at the Old Vic in London. So too is Scandaltown, his modern day Restoration comedy about social ambition, featuring characters with names such as Hannah Tweetwell and Freddie Peripheral. And he has another play, a love triangle, Cock, in the West End. Mike talks to Tom Sutcliffe about the appeal of writing gags, blank verse and characters who take control.Hannah Hodgson's latest volume of poetry is '163 Days' in which she looks back in verse over her six months in hospital as teenager suffering from a severe and undiagnosed disease. Her poems are juxtaposed with her medical notes. The illness, which later proved to be mitochondrial encephalopathy, is incurable and she explores, in her poems, living with a terminal condition.To mark the BBC's Art That Made Us season, Front Row invites artists from across the nations of the UK to choose the piece of art that made them, by shaping their artistic and cultural identity. Today we hear from the winner of the Rooney Prize for Irish Literature, poet Nick Laird who has chosen the 1935 poem Snow, by Louis MacNeice.Ryan Marsh and James Thomas, two of the people involved in Europe’s first Non Fungible Token gallery, the Quantum Gallery, give us an insight into NFT Art and how it works.Presenter: Tom Sutcliffe Producer: Julian May
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  • Folge vom 04.04.2022
    Rae Morris performs live, author Ashley Hickson-Lovence, video artist Rachel Maclean
    Rae Morris discusses her latest single, ‘No Woman is An Island,’ ahead of the release of her new album.Ludovic Hunter-Tilney joins us to discuss the highlights from last night’s Grammy Awards. Novelist Ashley Hickson Lovence talks about his new novel, Your Show, about Uriah Rennie, one of the first black referees to officiate games in the Football League, a story of one man's pioneering efforts to make it, against the odds, to the very top of his profession and beyond.To mark the BBC's Art That Made Us season, Front Row invites artists from across the nations of the UK to choose the piece of art that made them, by shaping their artistic and cultural identity. We begin with Rachel Maclean, the digital artist who represented Scotland at the Venice Biennale, on the 1847 painting The Reconciliation of Oberon and Titania by Sir Joseph Noel Paton. And we pay tribute to the actress June Brown, best known for her iconic role as Dot Cotton on the BBC soap opera EastEnders, who has died.Presenter: Nick Ahad Producer: Simon RichardsonPhoto: Musician Rae Morris Photo credit: Hollie Fernando
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  • Folge vom 31.03.2022
    A Clockwork Orange, the National Poetry Competition winner announced, Slow Horses and Coppelia reviewed
    Critics Sarah Crompton and Abir Mukherjee review Slow Horses, the brand new series from Apple TV+ starring Gary Oldman, Kristen Scott Thomas, Olivia Cooke, Jack Lowden, Saskia Reeves and Jonathan Pryce. Slow Horses is based on the novel of the same name by Mick Herron, which is part of the author's Slough House series. It tells the story of a team of British intelligence agents who have all committed career-ending mistakes, and subsequently work in a dumping ground department of MI5 called Slough House.New ballet film Coppelia is an innovative family feature with an original score by Maurizio Malagnini, performed by the BBC Concert Orchestra. Choreographed by Dutch National Ballet artistic director Ted Brandsen, it combines 2D and 3D animation with live action dance and features a blend of musical influences from classical to electronic. Based on the original 19th century tales of E.T.A. Hoffmann this modern adaptation tells the love story between Swan and Franz, which is jeopardised by Dr. Coppelius and his uncannily beautiful protégée Coppelia. With a diverse and world-class cast, including Michaela DePrince, Darcey Bussell, Daniel Camargo, Vito Mazzeo and Irek Mukhamedov, the adaptation is created by filmmakers Jeff Tudor, Steven De Beul and Ben Tesseur. Sarah and Abir review.Professor Andrew Biswell, Professor of Modern Literature at Manchester Metropolitan University and Director of the International Anthony Burgess Centre, marks the 50th and 60th anniversaries of ‘A Clockwork Orange’ by looking into its history, controversy, and legacy. Front Row will be announcing the winner of the National Poetry Competition this evening. Previous winners include former Poet Laureate Carol Ann Duffy, and distinguished poets Tony Harrison, and Jo Shapcott.
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  • Folge vom 30.03.2022
    Glasgow's Burrell Collection reopens; Orphans the musical; Yoga Concerto; Edinburgh’s new Makar Hannah Lavery
    Presented by Kate Molleson from Glasgow. As the Burrell Collection reopens in Glasgow after a £68 million refit, Sunday Post art critic Jan Patience discusses the significance of the gallery, which includes rare Persian carpets, Chinese ceramics and sculptures by Rodin. Director Cora Bissett talks about Orphans – the new musical from the National Theatre of Scotland, adapted from Peter Mullan’s 1998 cult classic film set in Glasgow. Belgian clarinettist Annelien Van Wauwe is in Glasgow to perform the world premiere of Sutra with the BBC Scottish Symphony Orchestra. She tells Kate about collaborating with composer Wim Henderickx to create a concerto inspired by Patanjali's Yoga Sutras, the first scriptures of yoga, and how yoga can help musicians find their flow.Hannah Lavery is the recently appointed Edinburgh City Makar, the city’s poet laureate. She discusses her new role and her debut poetry collection Blood, Salt, Spring, a seemingly real time meditation on where we are – exploring ideas of nation, race and belonging.Presenter: Kate Molleson Producer: Timothy ProsserImage: The Warwick Vase, a 2nd Century Roman marble sculpture, in The Burrell Collection, Glasgow Photo credit: Timothy Prosser
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