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Front Row

Live magazine programme on the worlds of arts, literature, film, media and music

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Folgen von Front Row

2000 Folgen
  • Folge vom 02.03.2018
    Jess Thom on Beckett's Not I, Disbelieved women in fiction, Deep Throat Choir
    Jess Thom is a founding member of Touretteshero, a theatre company that celebrates the inherent creativity and humour in Tourette's. She is taking on Samuel Beckett's Not I, a rapidly delivered monologue spoken by a character called Mouth. Jess explains why the text captures her own experience of living with Tourette's and her mission to make theatre more accessible. "Gaslighting" is a term that sprang from Patrick Hamilton's play Gas Light written 80 years ago, in which a husband attempts to convince his wife she is going mad so that she is not believed by others. It's a trope that's picked up in contemporary thrillers such as Girl on A Train and The Woman in The Window. Novelist Stephanie Merritt and writer and critic Lisa Appignanesi discuss its dramatic appeal. Deep Throat are a thirty-strong all-female choir who blend their voices with percussion to produce a unique sound. The founder Luisa Gerstein and choir member Tanya Auclair discuss how they developed their style and their collaborations.Presenter: Morgan Quaintance Producer: Hannah Robins.
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  • Folge vom 01.03.2018
    Civilisations, Wendy Cope, Contemporary Chinese Art
    Half a century after Kenneth Clark's ground-breaking television series on the history of art, Civilisation, the BBC has returned to the same subject - a history of visual culture - but pluralised the name and the number of presenters in the new series. Former television critic of the Financial Times Chris Dunkley and writer and classicist Natalie Haynes review.Wendy Cope is one of the country's best-known and best-loved poets, thanks partly to the fact that her poems are easy to understand and often funny. But they're much more than that: the former poet laureate Andrew Motion said of her that "there is a skip in her step, but these are perfectly serious poems". Her latest collection is Anecdotal Evidence and it reflects on marriage, place, contentment and loss.The works of twenty-three female contemporary artists working in China today are the focus of NOW, a new series of exhibitions across the UK. Curator Tiffany Leung and British-based artist Aowen Jin consider the status of Chinese female artists inside and outside China and to what extent they feel they have artistic freedom in the current political climate .Presenter : Kirsty Lang Producer: Harry Parker.
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  • Folge vom 28.02.2018
    Sharon Horgan, Maya Youssef, Samantha Harvey
    Sharon Horgan, the comedy actress and writer behind Pulling, Motherhood and Catastrophe features in her first major Hollywood film, Game Night. She tells Kirsty about the difference between working on American movies and British television and why series like Catastrophe aren't , in fact, sitcoms. Syrian musician Maya Youssef brings her qanun into the studio and performs from her album Syrian Dreams. Samantha's Harvey's latest novel, The Western Wind, is a literary medieval whodunit with an ingenious construction. She discusses its palindromic form and explains the significance of setting it in 1491.Presenter: Kirsty Lang Producer: Rebecca Armstrong.
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  • Folge vom 27.02.2018
    A Fantastic Woman, playing drunk, Lewis Gilbert and paintings under paintings
    A Fantastic Woman is a Chilean film about a transgender woman whose partner dies and she has to cope with his transphobic family. The film has been shortlisted for best Foreign Language film at the Oscars. Rebecca Root, trans actress and activist, reviews.British film director Lewis Gilbert has died aged 97. Critic Jason Solomons assesses his long career with films including Reach for the Sky, Alfie, The Spy Who Loved Me, Educating Rita and Shirley Valentine.In the wake of recent scientific investigations revealing a hidden landscape beneath a Picasso painting, art critic Jonathan Jones and philosopher and historian Jonathan Rée debate the issues raised by digging beneath the surface of a work of art.Dionysis, the Greek god of wine was also patron of the theatre and since classical times actors have always needed to be able to act inebriated. Siân Thomas, Rory Keenan and Sam Troughton reveal the secrets of acting drunk.
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