Armando Iannucci, writer of The Thick of It, discusses his new film satire The Death of Stalin and his love of classical music as explored in his book, Hear Me Out.Kwame Kwei-Armah has been running the Center Stage Theater in Baltimore and in February will take over the Young Vic in London. Meanwhile he's directing The Lady From the Sea, in a new version by Elinor Cook that transports Ibsen's Scandi drama of a woman's tussle for her independence to the Caribbean. John Wilson finds out why, and what Kwei-Armah has up his sleeve for his new job.Form 696 is a risk assessment form which the Metropolitan Police requests promoters and licensees of events complete and submit 14 days in advance of hosting some music events. When the form was first introduced in 2005 it proved controversial as it asked for details of audience ethnicity and, although this wasamended later, critics still say the form is discriminatory because grime and urban music artists are disproportionately affected. As London Mayor Sadiq Khan asks the Met to review the form, and a new report on the state of grime music in the UK is published, we discuss Form 696 and its impact on the grassroots music scene with the Director for the Black Music Research Unit at the University of Westminster, Mykaell Riley and music journalist Hattie Collins.And we remember the actor and comedian Sean Hughes whose death was announced on Monday. Presenter : John Wilson
Producer : Dymphna Flynn.
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Front Row Folgen
Live magazine programme on the worlds of arts, literature, film, media and music
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2000 Folgen
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Folge vom 16.10.2017Armando Iannucci on the Death of Stalin, Kwame Kwei-Armah directs Ibsen's Lady from the Sea
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Folge vom 13.10.2017Kit Harington, Kele Okereke, Dynasty, PorridgeKit Harington on playing his own ancestor in Gunpowder, the new BBC1 drama series about the 17th Century plot to blow up Parliament. Kele Okereke, lead singer of Bloc Party, talks to Stig about his new solo album Fatherland, which includes a love duet with Olly Alexander, and he performs live in the studio. As 80's supersoap Dynasty returns with a remake on Netflix, Karen Krizanovich gives her verdict. As artists such as Liam Gallagher, Beck and St Vincent release albums on coloured vinyl discs, is this becoming a new trend?Download today's podcast for an extra live performance by Kele Okereke and an interview with the creators of TV series Porridge, Dick Clement and Ian La Frenais. Presenter: Stig Abell Producer: Timothy Prosser.
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Folge vom 12.10.2017George Michael: Freedom, John Banville, Michael Fassbender, Performance artKate Mossman reviews George Michael: Freedom, the film George Michael was working when he died, in which he and a host of A-List names talk about his songs, his career, his relationships and his battles with the music industry. The Irish writer John Banville is the highly acclaimed winner of the 2005 Man Booker Prize, The Sea. His novels include The Book of Evidence, Ghosts and now, Mrs Osmond. It's a sequel to Henry James' The Portrait of a Lady. That novel famously ends inconclusively: having travelled to England against her husband Gilbert Osmond's wishes to witness the death of her beloved cousin Ralph, we don't know if she'll return to her husband in Rome or shape some other future for herself. Banville talks about continuing her story and his debt to James.When Tate Modern opened its new extension last year, for the first time the gallery had purpose built spaces for performance art, and as Fierce, the live art festival in Birmingham prepares to open, Front Row invited Aaron Wright, the festival's artistic director and Dr Claire MacDonald, co-founder of the arts journal Performance Research to discuss the current state of the performance art landscape.Michael Fassbender, whose previous films include Hunger, 12 Years a Slave and Steve Jobs, discusses his role as Harry Hole in the film adaptation of Jo Nesbo's thriller The Snowman, in which he plays a detective on the hunt for a serial killer in Norway whose killing spree starts with the first snowfall.Presenter: Stig Abell Producer: Rebecca Armstrong.
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Folge vom 11.10.2017Dustin Hoffman; Jon Boden plays live; the new gallery at Tate St IvesIn his latest film, The Meyerowitz Stories (New and Selected), Dustin Hoffman plays an old, bitter, self obsessed sculptor, whose children from several marriages nonetheless crave his approval. He and the director, Noah Baumbach, discuss grumpiness, fatherhood and the nature of success with Kirsty Lang.In St Ives the Tate is about to reopen with refurbished rooms rehung with wonderful work, by international artists - Rothko, Gabo, deKooning - and those working there who achieved such status - Hepworth, Lanyon, Wallis. The writer on art, Michael Bird, who lives in St Ives, follows the conversation between these works with the artistic director, Anne Barlow and curator Sara Matson. He has a preview, too, of Tate St Ives' beautiful new gallery, a feat of engineering years in the making. It is cut into the hill, yet still illuminated with the natural light of St Ives that drew artists there to begin with.Singer and multi-instrumentalist Jon Boden caused some consternation when he decided to leave Bellowhead, the 11 piece folk big-band that brought traditional music and sea shanties to Glastonbury, Later with Jools Holland and the London Palladium, and the group dissolved. He has just released a solo album, Afterglow. He performs live with a string trio and talks about this work which is very different from Bellowhead, a cycle of his own songs charting a fleeting romance in a ruined city. And Annette Bening has her say about Harvey Weinstein. Presenter: Kirsty Lang Producer: Julian May.