Melvyn Bragg and guests discuss the celebrated Welsh poet, Dylan Thomas (1914 - 1953). He wrote some of his best poems before he was twenty in the first half of his short, remarkable life, and was prolific in the second half too with poems such as those set in London under the Blitz and reworkings of his childhood in Swansea, and his famous radio play Under Milk Wood (performed after his death). He was read widely and widely heard: with his reading tours in America and recordings of his works that sold in their hundreds of thousands after his death, he is credited with reviving the act of poetry as performance in the 20th century.WithNerys Williams
Associate Professor of Poetry and Poetics at University College DublinJohn Goodby
Professor of Arts and Culture at Sheffield Hallam UniversityAndLeo Mellor
The Roma Gill Fellow in English at Murray Edwards College, University of CambridgeProducer: Simon Tillotson
Kultur & Gesellschaft
In Our Time: Culture Folgen
Popular culture, poetry, music and visual arts and the roles they play in our society.
Folgen von In Our Time: Culture
199 Folgen
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Folge vom 14.07.2022Dylan Thomas
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Folge vom 09.06.2022Tang Era PoetryMelvyn Bragg and guests discuss two of China’s greatest poets, Li Bai and Du Fu, who wrote in the 8th century in the Tang Era. Li Bai (701-762AD) is known for personal poems, many of them about drinking wine, and for finding the enjoyment in life. Du Fu (712-770AD), a few years younger, is more of an everyman, writing in the upheaval of the An Lushan Rebellion (755-763AD). Together they have been a central part of Chinese culture for over a millennium, reflecting the balance between the individual and the public life, and one sign of their enduring appeal is that there is rarely agreement on which of them is the greater.The image above is intended to depict Du Fu.With Tim Barrett Professor Emeritus of East Asian History at SOAS, University of LondonTian Yuan Tan Shaw Professor of Chinese at the University of Oxford and Professorial Fellow at University CollegeAndFrances Wood Former Curator of the Chinese Collections at the British LibraryProducer: Simon Tillotson
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Folge vom 19.05.2022Olympe de GougesMelvyn Bragg and guests discuss the French playwright who, in 1791, wrote The Declaration of the Rights of Woman and of the Female Citizen. This was Olympe de Gouges (1748-93) and she was responding to The Declaration of the Rights of Man and of the Citizen from 1789, the start of the French Revolution which, by excluding women from these rights, had fallen far short of its apparent goals. Where the latter declared ‘men are born equal’, she asserted ‘women are born equal to men,’ adding, ‘since women are allowed to mount the scaffold, they should also be allowed to stand in parliament and defend their rights’. Two years later this playwright, novelist, activist and woman of letters did herself mount the scaffold, two weeks after Marie Antoinette, for the crime of being open to the idea of a constitutional monarchy and, for two hundred years, her reputation died with her, only to be revived with great vigour in the last 40 years.With Catriona Seth Marshal Foch Professor of French Literature at the University of OxfordKatherine Astbury Professor of French Studies at the University of WarwickAndSanja Perovic Reader in 18th century French studies at King’s College LondonProducer: Simon Tillotson
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Folge vom 05.05.2022Polidori's The VampyreMelvyn Bragg and guests discuss the influential novella of John Polidori (1795-1821) published in 1819 and attributed first to Lord Byron (1788-1824) who had started a version of it in 1816 at the Villa Diodati in the Year Without A Summer. There Byron, his personal physician Polidori, Mary and Percy Shelley and Claire Clairmont had whiled away the weeks of miserable weather by telling ghost stories, famously giving rise to Mary Shelley's 'Frankenstein'. Emerging soon after, 'The Vampyre' thrilled readers with its aristocratic Lord Ruthven who glutted his thirst with the blood of his victims, his status an abrupt change from the stories of peasant vampires of eastern and central Europe that had spread in the 18th Century with the expansion of the Austro-Hungarian empire. The connection with Lord Byron gave the novella a boost, and soon 'The Vampyre' spawned West End plays, penny dreadfuls such as 'Varney the Vampire', Bram Stoker’s 'Dracula', F.W Murnau's film 'Nosferatu A Symphony of Horror', and countless others.The image above is of Bela Lugosi (1882-1956) as Count Mora in Metro-Goldwyn-Meyer's 'Vampires of Prague' (1935)With Nick Groom Professor of Literature in English at the University of MacauSamantha George Associate Professor of Research in Literature at the University of HertfordshireAnd Martyn Rady Professor Emeritus of Central European History at University College LondonProducer: Simon Tillotson