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Kultur & Gesellschaft

In Our Time: History

Historical themes, events and key individuals from Akhenaten to Xenophon.

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Folgen von In Our Time: History

226 Folgen
  • Folge vom 17.12.2020
    The Cultural Revolution
    Melvyn Bragg and guests discuss Chairman Mao and the revolt he led within his own party from 1966, setting communists against each other, to renew the revolution that he feared had become too bourgeois and to remove his enemies and rivals. Universities closed and the students formed Red Guard factions to attack the 'four olds' - old ideas, culture, habits and customs - and they also turned on each other, with mass violence on the streets and hundreds of thousands of deaths. Over a billion copies of Chairman Mao’s Little Red Book were printed to support his cult of personality, before Mao himself died in 1976 and the revolution came to an end.The image above is of Red Guards, holding The Little Red Book, cheering Mao during a meeting to celebrate the Great Proletarian Cultural Revolution at Tiananmen Square, Beijing, August 1966 WithRana Mitter Professor of the History and Politics of Modern China and Fellow of St Cross College, University of OxfordSun Peidong Visiting Professor at the Center for International Studies at Sciences Po, ParisAndJulia Lovell Professor in Modern Chinese History and Literature at Birkbeck, University of LondonProduced by Simon Tillotson and Julia Johnson
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  • Folge vom 26.11.2020
    The Zong Massacre
    Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822WithVincent Brown Charles Warren Professor of American History and Professor of African and African American Studies at Harvard UniversityBronwen Everill Class of 1973 Lecturer in History and Fellow at Gonville & Caius College, University of CambridgeAnd Jake Subryan Richards Assistant Professor of History at the London School of EconomicsStudio production: Hannah Sander Producer: Simon Tillotson
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  • Folge vom 22.10.2020
    Maria Theresa
    Melvyn Bragg and guests discuss Maria Theresa (1717-1780) who inherited the Austrian throne in 1740 at the age of 23. Her neighbours circled like wolves and, within two months, Frederick the Great had seized one of her most prized lands, Silesia, exploiting her vulnerability. Yet over the next forty years through political reforms, alliances and marriages, she built Austria up into a formidable power, and she would do whatever it took to save the souls of her Catholic subjects, with a rigidity and intolerance that Joseph II, her son and heir, could not wait to challenge. WithCatriona Seth Marshal Foch Professor of French Literature at the University of OxfordMartyn Rady Professor of Central European History at University College LondonAndThomas Biskup Lecturer in Early Modern History at the University of HullProducer: Simon Tillotson
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  • Folge vom 24.09.2020
    Cave Art
    Melvyn Bragg and guests discuss ideas about the Stone Age people who created the extraordinary images found in caves around the world, from hand outlines to abstract symbols to the multicoloured paintings of prey animals at Chauvet and, as shown above, at Lascaux. In the 19th Century, it was assumed that only humans could have made these, as Neanderthals would have lacked the skills or imagination, but new tests suggest otherwise. How were the images created, were they meant to be for private viewing or public spaces, and what might their purposes have been? And, if Neanderthals were capable of creative work, in what ways were they different from humans? What might it have been like to experience the paintings, so far from natural light? With Alistair Pike Professor of Archaeological Sciences at the University of SouthamptonChantal Conneller Senior Lecturer in Early Pre-History at Newcastle UniversityAndPaul Pettitt Professor of Palaeolithic Archaeology at Durham UniversityProducer: Simon Tillotson
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