Melvyn Bragg and guests discuss one of the most influential economists from the age of Adam Smith and Thomas Malthus. Ricardo (1772 -1823) reputedly made his fortune at the Battle of Waterloo, and he made his lasting impact with his ideas on free trade. At a time when nations preferred to be self-sufficient, to produce all their own food and manufacture their own goods, and to find markets for export rather than import, Ricardo argued for free trade even with rivals for the benefit of all. He contended that existing economic policy unduly favoured landlords above all others and needed to change, and that nations would be less likely to go to war with their trading partners if they were more reliant on each other. For the last two hundred years, Ricardo’s Theory of Comparative Advantage in support of free trade has been developed and reinterpreted by generations of economists across the political spectrum.WithMatthew Watson
Professor of Political Economy at the University of WarwickHelen Paul
Lecturer in Economics and Economic History at the University of SouthamptonAndRichard Whatmore
Professor of Modern History at the University of St Andrews and Co-Director of the St Andrews Institute of Intellectual HistoryProducer: Simon Tillotson
Kultur & GesellschaftPolitikWirtschaftReligiösTalk
In Our Time With Melvyn Bragg Folgen
Melvyn Bragg and his guests discuss the history of ideas - including topics drawn from philosophy, science, history, religion and culture.
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Folge vom 25.03.2021David Ricardo
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Folge vom 18.03.2021The BacchaeMelvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy. The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas.With Edith Hall Professor of Classics at King’s College LondonEmily Wilson Professor of Classical Studies at the University of PennsylvaniaAndRosie Wyles Lecturer in Classical History and Literature at the University of KentProducer: Simon Tillotson
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Folge vom 11.03.2021The Late Devonian ExtinctionMelvyn Bragg and guests discuss the devastating mass extinctions of the Late Devonian Period, roughly 370 million years ago, when around 70 percent of species disappeared. Scientists are still trying to establish exactly what happened, when and why, but this was not as sudden as when an asteroid hits Earth. The Devonian Period had seen the first trees and soils and it had such a diversity of sea life that it’s known as the Age of Fishes, some of them massive and armoured, and, in one of the iconic stages in evolution, some of them moving onto land for the first time. One of the most important theories for the first stage of this extinction is that the new soils washed into oceans, leading to algal blooms that left the waters without oxygen and suffocated the marine life. The image above is an abstract group of the huge, armoured Dunkleosteus fish, lost in the Late Devonian ExtinctionWith Jessica Whiteside Associate Professor of Geochemistry in the Department of Ocean and Earth Science at the University of SouthamptonDavid Bond Professor of Geology at the University of HullAndMike Benton Professor of Vertebrate Paleontology at the School of Life Sciences, University of Bristol.
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Folge vom 04.03.2021The Rime of the Ancient MarinerIn this 900th edition of the programme, Melvyn Bragg and guests discuss one of the best known and most influential of the poems of the Romantic movement. Samuel Taylor Coleridge (1772-1834) wrote The Rime of the Ancient Mariner in 1798 after discussions with his friend Wordsworth. He refined it for the rest of his life, and it came to define him, a foreshadowing of his opium-addicted, lonely wandering and deepening sense of guilt. The poem tells of a sailor compelled to tell and retell the story of a terrible voyage in his youth, this time as guests are heading to a wedding party, where he stoppeth one of three.The image above is from Gustave Doré's illustration of the mariner's shooting of the albatross, for an 1877 German language edition of the poemWithSir Jonathan Bate Professor of Environmental Humanities at Arizona State UniversityTom Mole Professor of English Literature and Book History at the University of EdinburghAnd Rosemary Ashton Emeritus Quain Professor of English Language and Literature at University College LondonProducer: Simon Tillotson