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A world-class seminar, every week. In Our Time explores the ideas, people and discoveries that have shaped our world, spanning history, philosophy, religion, science, literature, art and culture. On Thursdays, hear brand-new episodes hosted by Misha Glenny and leading academics. On Mondays, discover Misha's Archive Picks: classic conversations from the In Our Time archive, originally presented by Melvyn Bragg. Recent episodes have featured topics as wide-ranging as the Roman Arena, Handel's Messiah, John Keats, On Liberty and the Mariana Trench, bringing expert insight to pivotal events, influential thinkers and remarkable discoveries. Throughout the archive, you can hear discussions on historical figures such as Marie Antoinette, Nefertiti, Mary Wollstonecraft, Karl Marx and Albert Einstein; explore great works of literature such as Shakespeare’s Hamlet, Nineteen Eighty-Four, Alice's Adventures in Wonderland and the poetry of John Donne; uncover the stories behind cultural masterpieces including Van Gogh's Sunflowers and Michelangelo's Sistine Chapel; or journey from Jupiter and the death of stars, to the theories of Plato and Aristotle. In Our Time celebrates the pursuit of knowledge and the enduring power of ideas.
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Folge vom 10.01.2013Le Morte d'ArthurMelvyn Bragg and his guests discuss Thomas Malory's "Le Morte Darthur", the epic tale of King Arthur and his knights of the Round Table. Sir Thomas Malory was a knight from Warwickshire, a respectable country gentleman and MP in the 1440s who later turned to a life of crime and spent various spells in prison. It was during Malory's final incarceration that he wrote "Le Morte Darthur", an epic work which was based primarily on French, but also some English, sources. Malory died shortly after his release in 1470 and it was to be another fifteen years before "Le Morte Darthur" was published by William Caxton, to immediate popular acclaim. Although the book fell from favour in the seventeenth century, it was revived again in Victorian times and became an inspiration for the Pre-Raphaelite movement who were entranced by the chivalric and romantic world that Malory portrayed. The Arthurian legend is one of the most enduring and popular in western literature and its characters - Sir Lancelot, Guinevere, Merlin and King Arthur himself, are as well-known today as they were then; and the book's themes - chivalry, betrayal, love and honour - remain as compelling.With: Helen Cooper Professor of Medieval and Renaissance English at the University of CambridgeHelen Fulton Professor of Medieval Literature and Head of Department of English and Related Literature at the University of YorkLaura Ashe CUF Lecturer and Tutorial Fellow at Worcester College at the University of OxfordProducer: Natalia Fernandez.
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Folge vom 27.12.2012The Cult of MithrasMelvyn Bragg and his guests discuss the cult of Mithras, a mystery religion that existed in the Roman Empire from the 1st to the 4th centuries AD. Also known as the Mysteries of Mithras, its origins are uncertain. Academics have suggested a link with the ancient Vedic god Mitra and the Iranian Zoroastrian deity Mithra, but the extent and nature of the connection is a matter of controversy. Followers of Mithras are thought to have taken part in various rituals, most notably communal meals and a complex seven-stage initiation system. Typical depictions of Mithras show him being born from a rock, enjoying food with the sun god Sol and stabbing a bull. Mithraic places of worship have been found throughout the Roman world, including an impressive example in London. However, Mithraism went into decline in the 4th century AD with the rise of Christianity and eventually completely disappeared. In recent decades, many aspects of the cult have provoked debate, especially as there are no written accounts by its members. As a result, archaeology has been of great importance in the study of Mithraism and has provided new insights into the religion and its adherents. With:Greg Woolf Professor of Ancient History at the University of St AndrewsAlmut Hintze Zartoshty Professor of Zoroastrianism at SOAS, University of LondonJohn North Acting Director of the Institute of Classical Studies, University of London.Producer: Victoria Brignell.
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Folge vom 20.12.2012The South Sea BubbleMelvyn Bragg and his guests discuss The South Sea Bubble, the speculation mania in early 18th-century England which ended in the financial ruin of many of its investors. The South Sea Company was founded in 1711 with a view to restructuring government debt and restoring public credit. The company would ostensibly trade with South America, hence its name; and indeed, it did trade in slaves for the Spanish market even after the Bubble burst in 1720. People from all walks of life bought shares in the South Sea Company, from servants to gentry, and it was said the entire country was gripped by South Sea speculation mania. When the shares crashed and the company collapsed there was a public outcry and many people faced financial ruin, although some investors sold before the crash and made substantial amounts of money. For example, the bookseller Thomas Guy made his fortune and founded a hospital in his name the following year. But how did such a financial crisis develop and were there any lessons learnt following this early example of a stock market boom and bust?With:Anne Murphy Senior Lecturer in History at the University of HertfordshireHelen Paul Lecturer in Economics and Economic History at the University of SouthamptonRoey Sweet Head of the School of History at the University of LeicesterProducer: Natalia Fernandez.
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Folge vom 13.12.2012Shahnameh of FerdowsiMelvyn Bragg and his guests discuss the epic poem the Shahnameh of Ferdowsi, the 'Book of Kings', which has been at the heart of Persian culture for the past thousand years. The poem recounts a legendary history of Iran from the dawn of time to the fall of the Persian Empire in the 7th century and serves, in a sense, as a creation myth for the Persian nation. The Shahnameh took Ferdowsi thirty years to write and, consisting of over 50,000 verses, is said to be the longest poem ever written by a single author. Laced with tragedy, Ferdowsi's epic chronicles battles, romances, family rifts and Man's interior struggle with himself. Although the stories may not always be true they have a profound resonance with Iranians even today, and the poem has been referred to as both the 'encyclopaedia of Iranian culture' and the identity card of the Persian people. With:Narguess Farzad Senior Fellow in Persian at SOAS, University of LondonCharles Melville Professor of Persian History at Pembroke College at the University of CambridgeVesta Sarkhosh Curtis Curator of Middle Eastern Coins at the British Museum Producer: Natalia Fernandez.