In Our Time Folgen

Melvyn Bragg discusses the fairy tales of the Brothers Grimm with Juliette Wood, Marina Warner and Tony Phelan. The German siblings who in 1812 published a collection of fairy tales including Rapunzel, Hansel and Gretel, Cinderella and Rumpelstiltskin. But the Grimm versions are surprisingly, sometimes shockingly, different. Cinderella has no fairy godmother, her ugly sisters are not ugly but they do have their eyes pecked out by pigeons. Sleeping Beauty does not have an evil stepmother, Rapunzel is pregnant and Frog Princes do not get kissed but thrown against walls. They may not be the fairy tales as we know them, but without the Brothers Grimm we might not know them at all. But why did two respectable German linguists go chasing after fairy stories, what do the stories tell us about German culture and romantic nationalism at the time and why do these ever-evolving tales of horror, wonder and fantasy continue to hold us in thrall?With Juliette Wood, Associate Lecturer in Folklore at Cardiff University; Marina Warner, Professor in the Department of Literature, Film and Theatre Studies at the University of Essex; Tony Phelan, Professor in German at Keble College, Oxford.

Melvyn Bragg and guests discuss one of the most brilliant and shocking satires ever written in English – Jonathan Swift’s A Modest Proposal. Masquerading as an attempt to end poverty in Ireland once and for all, a Modest Proposal is a short pamphlet that draws the reader into a scheme for economic and industrial horror. Published anonymously but written by Jonathan Swift, A Modest Proposal lays bare the cruel presumptions, unchecked prejudice, the politics and the poverty of the 18th century, but it also reveals, perhaps more than anything else, the character and the mind of Swift himself.With John Mullan, Professor of English at University College London; Judith Hawley, Professor of 18th Century Literature at Royal Holloway, University of London and Ian McBride, Senior Lecturer in the History Department at King’s College London.

Melvyn Bragg and guests discuss how the writing of history has changed over time, from ancient epics to medieval hagiographies and modern deconstructions. In the 6th century AD, the bishop of Tours began his history of the world with a simple observation that “A great many things keep happening, some of them good, some of them bad”. For a phrase that captures the whole of history it’s among the best, but in writing about the past we are rarely so economical. From ancient epics – Thucydides’ History of the Peloponnesian War - to medieval hagiographies and modern deconstructions, historians have endlessly chronicled, surveyed and analysed the great many things that keep happening, declaring some of them good and some of them bad. But the writing of history always illuminates two periods – the one history is written about and the one it is written in. And to look at how the writing of history has changed is to examine the way successive ages have understood their world. In short, there is a history to history.With Paul Cartledge, AG Leventis Professor of Greek Culture and Fellow of Clare College, Cambridge; John Burrow, Emeritus Fellow of Balliol College, Oxford and Miri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of London.