In Our Time Folgen

Melvyn Bragg and guests discuss altruism. The term altruism was coined by the 19th century sociologist Auguste Comte and is derived from the Latin “alteri” or "the others”. It describes an unselfish attention to the needs of others. Comte declared that man had a moral duty to “serve humanity, whose we are entirely.” The idea of altruism is central to the main religions: Jesus declared “you shall love your neighbour as yourself” and Mohammed said “none of you truly believes until he wishes for his brother what he wishes for himself”. Buddhism too advocates “seeking for others the happiness one desires for oneself.”Philosophers throughout time have debated whether such benevolence towards others is rooted in our natural inclinations or is a virtue we must impose on our nature through duty, religious or otherwise. Then in 1859 Darwin’s ideas about competition and natural selection exploded onto the scene. His theories outlined in the Origin of Species painted a world “red in tooth and claw” as every organism struggles for ascendancy.So how does this square with altruism? If both mankind and the natural world are selfishly seeking to promote their own survival and advancement, how can we explain being kind to others, sometimes at our own expense? How have philosophical ideas about altruism responded to evolutionary theory? And paradoxically, is it possible that altruism can, in fact, be selfish?With Miranda Fricker, Senior Lecturer in the School of Philosophy at Birkbeck, University of London; Richard Dawkins, evolutionary biologist and the Charles Simonyi Professor of the Public Understanding of Science at Oxford University; John Dupré, Professor of Philosophy of Science at Exeter University and director of Egenis, the ESRC Centre for Genomics in Society.

Melvyn Bragg and guests discuss the Peasants’ Revolt of 1381. “When Adam delved and Eve span, who was then the Gentleman?" these are the opening words of a rousing sermon, said to be by John Ball, which fires a broadside at the deeply hierarchical nature of fourteenth century England. Ball, along with Wat Tyler, was one of the principal leaders of the Peasants’ Revolt – his sermon ends: "I exhort you to consider that now the time is come, appointed to us by God, in which ye may (if ye will) cast off the yoke of bondage, and recover liberty". The subsequent events of June 1381 represent a pivotal and thrilling moment in England’s history, characterised by murder and mayhem, beheadings and betrayal, a boy-King and his absent uncle, and a general riot of destruction and death. By most interpretations, the course of this sensational story threatened to undermine the very fabric of government as an awareness of deep injustice was awakened in the general populace.But who were the rebels and how close did they really come to upending the status quo? And just how exaggerated are claims that the Peasants’ Revolt laid the foundations of the long-standing English tradition of radical egalitarianism? With Miri Rubin, Professor of Early Modern History at Queen Mary, University of London; Caroline Barron, Professorial Research Fellow at Royal Holloway, University of London; Alastair Dunn, author of The Peasants’ Revolt - England’s Failed Revolution of 1381.

Melvyn Bragg and guests discuss the life and work of Alexander Pope. His enemies – who were numerous - described him as a hunchbacked toad, twisted in body, twisted in mind, but Alexander Pope is without doubt one of the greatest poets of the English language. His acerbic wit and biting satire were the scourge of politicians, fellow writers and most especially the critics. He was the first Englishman to make a living from his pen, free from the shackles of patronage and flattery. Indeed, his sharp tongue meant he couldn’t go out walking without his Great Dane and a pair of loaded pistols. He was a ferocious businessman too, striking tough deals with his publishers, ensuring he kept control of his work and was well-rewarded for it. So how did Pope manage to transform himself from a crippled outsider into a major cultural and moral authority? How did he shape our ideas about what a “modern author” is? Does his work still have resonances today or is it too firmly embedded in the politics, cultural life and rivalries of the period?With John Mullan, Professor of English at University College London; Jim McLaverty, Professor of English at Keele University; Valerie Rumbold, Reader in English Literature at Birmingham University.