In Our Time Folgen

Melvyn Bragg and guests discuss sensation, a Victorian literary phenomenon. The Archbishop of York fulminated against them in his sermons, they spread panic through the pages of The Times and in a famous review the Oxford Professor of Philosophy, Henry Mansel, called them “unspeakably disgusting” with a “ravenous appetite for carrion”: in the 1860s the novels of Sensation took the Victorian world by storm.Bigamy. Secrecy. Murder and Madness. Detectives and surprise plot twists - all in a genteel domestic setting. It was a compelling concoction that propelled sales of the genre into millions, and for the first time ever got those above stairs reading the same stories as their servants.How did Sensation achieve such an incredible popularity so fast? What did the ensuing moral panic reveal about the society in which the novels were set? And in terms of its literary reputation, does this racy genre deserve to languish so far behind Victorian Realism, its rather steadier cousin?With John Mullan, Senior Lecturer in English at University College London; Lyn Pykett, Professor of English and Pro-Vice Chancellor at the University of Wales, Aberystwyth; Dinah Birch, Professor of English at the University of Liverpool.

Melvyn Bragg and guests discuss the centuries old myth of the most romantic noble outlaw. The first printed version of the Robin Hood story begins like this:“Lithe and Lysten, gentylmen/That be of frebore blodeI shall tell of a good yeman/His name was Robyn Hode/Robyn was a proude outlawe/Whyles he walked on groundeSo curteyse an outlawe as he was one/Was never none yfound”.Robin Hood is described as a ‘yeoman’ – a freeman, and though he is courteous there is not even a hint of the aristocrat he later became. In fact, in the early ballads there is no Maid Marian, no Friar Tuck, Robin does not live in the time of bad Prince John, or the crusades, does not lead a large and merry gang, and certainly never robs the rich to give to the poor. Though he always remains a trickster, and a man with a bow in a wood.Why does this most malleable of myths go through so many changes and so many centuries? And was there ever a real outlaw Robin Hood on whom the ballads, plays, novels and movies are based?With Stephen Knight, Professor of English Literature at Cardiff University and author of Robin Hood: A Mythic Biography; Thomas Hahn, Professor of English Literature at the University of Rochester, New York; Dr Juliette Wood, Secretary of the Folklore Society.

Melvyn Bragg and guests discuss the nature and existence of mathematical infinity. Jonathan Swift encapsulated the counter-intuitive character of infinity with insouciant style:“So, naturalists observe, a fleaHath smaller fleas on him that preyAnd these hath smaller fleas to bite ‘emAnd so proceed ad infinitum.”Alas, the developing utility mathematicians put to the idea of infinity did not find the English philosopher Thomas Hobbes quite so relaxed. When confronted with a diagram depicting an infinite solid whose volume was finite, he wrote, “To understand this for sense, it is not required that a man should be a geometrician or logician, but that he should be mad”. Yet philosophers and mathematicians have continued to grapple with the unending, and it is a core concept in modern maths.So, what is mathematical infinity? Are some infinities bigger than others? And does infinity exist in nature?With Ian Stewart, Professor of Mathematics at the University of Warwick; Robert Kaplan, co-founder of The Math Circle at Harvard University and author of The Art of the Infinite: Our Lost Language of Numbers; Sarah Rees, Reader in Pure Mathematics at the University of Newcastle.