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In Our Time

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Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world. History fans can learn about pivotal wars and societal upheavals, such as the rise and fall of Napoleon, the Sack of Rome in 1527, and the political intrigue of the Russian Revolution. Those fascinated by the lives of kings and queens can journey to Versailles to meet Marie Antoinette and Louis XIV the Sun King, or to Ancient Egypt to meet Cleopatra and Nefertiti. Or perhaps you're looking to explore the history of religion, from Buddhism's early teachings to the Protestant Reformation. If you're interested in the stories behind iconic works of art, music and literature, dive in to discussions on the artistic genius of Michelangelo's Sistine Chapel and Van Gogh's famous Sunflowers. From Gothic architecture to the works of Shakespeare, each episode of In Our Time offers new insight into humanity's cultural achievements. Those looking to enrich their scientific knowledge can hear episodes on black holes, the Periodic Table, and classical theories of gravity, motion, evolution and relativity. Learn how the discovery of penicillin revolutionised medicine, and how the death of stars can lead to the formation of new planets. Lovers of philosophy will find episodes on the big issues that define existence, from free will and ethics, to liberty and justice. In what ways did celebrated philosophers such as Mary Wollstonecraft and Karl Marx push forward radical new ideas? How has the concept of karma evolved from the ancient Sanskrit texts of Hinduism to today? What was Plato's concept of an ideal republic, and how did he explore this through the legend of the lost city of Atlantis? In Our Time celebrates the pursuit of knowledge and the enduring power of ideas.

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Folgen von In Our Time

1100 Folgen
  • Folge vom 11.01.2001
    Mathematics and Platonism
    Melvyn Bragg looks at the deep claims made for mathematics, the discipline some believe to be the soul and true key to the understanding of all life, from the petals on the sunflower to the pulse in our wrists. The notion that mathematics is akin to theology might take some taking in at first. But from the first, in the West, they were. To Pythagoras, numbers were mystical and “prove” God. To Plato, who, it is claimed, has driven mathematics for over two thousand years, the ideals beyond the reality of our lives are to be found in mathematical perfections, immutable truth, God again in numbers. Are mathematics there in the universe, waiting to be discovered as the great ocean lying before Newton - or are they constructs applied by us to the universe and imposed rather than uncovered? It’s a long way from chalky sums on the blackboard and the first careless swing of the compass. Galilei Galileo wrote, “The Universe cannot be read until we have learnt the language and become familiar with the characters in which it was written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word”. But is he right that mathematics is the script in which the universe was written, or is it really just one of many possible systems that humankind has invented to interpret our world? Is mathematics is a process of invention or a voyage of discovery?With Ian Stewart, Professor of Mathematics and Gresham Professor of Geometry, University of Warwick; Margaret Wertheim, science writer, journalist and author of Pythagoras’ Trousers; John D Barrow, Professor of Applied Mathematics and Theoretical Physics, University of Cambridge.
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  • Folge vom 04.01.2001
    Gothic
    Horace Walpole and then Anne Radcliffe appeared to have triggered an anti-enlightenment movement: the Gothic that swept in Coleridge, two Shelleys, Byron, the Brontés, Walter Scott and Dickens, innumerable painters and architects, and even designed the Palace of Westminster itself.In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o’ nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin. So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.With Chris Baldick, Professor of English at Goldsmiths College, London and author of In Frankenstein’s Shadow; A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Emma Clery, senior lecturer in the English Department at Sheffield Hallam University and author of The Rise of Supernatural Fiction.
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  • Folge vom 16.11.2000
    Nihilism
    Melvyn Bragg and guests discuss the history of Nihilism. The nineteenth-century philosopher, Friedrich Nietzsche, wrote, “There can be no doubt that morality will gradually perish: this is the great spectacle in a hundred acts reserved for the next two centuries in Europe”. And, with chilling predictions like these, ‘Nihilism’ was born. The hard view that morals are pointless, loyalty is a weakness and ‘truths’ are illusory, has excited, confused and appalled western thinkers ever since. But what happened to Nietzsche’s revolutionary ideas about truth, morality and a life without meaning? Existentialism can claim lineage to Nietzsche, as can Post Modernism, but then so can Nazism. With so many interpretations, and claims of ownership from the left and the right, has anything positive come out of the great philosopher of ‘nothing’?With Rob Hopkins, Senior Lecturer in Philosophy, University of Birmingham; Professor Raymond Tallis, Doctor and Philosopher; Professor Catherine Belsey, University of Cardiff.
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  • Folge vom 09.11.2000
    Psychoanalysis and Literature
    Melvyn Bragg and guests discuss role of Freudian analysis in understanding the great works of literature. Freud said, “The poets and philosophers before me discovered the unconscious. What I discovered was the scientific method by which the unconscious can be studied”. Psychoanalysis has always been more than a ‘talking cure’ and it has strong ties to literature, but one hundred years after the publication of the first great work of psychoanalysis, The Interpretation of Dreams, critics are putting the scientific basis of Freud’s work in grave doubt and he is in danger of being pitched in with poets. The great American critic Harold Bloom has said “Freud, the writer will survive the death of psychoanalysis”, and the analyst and writer Adam Phillips seems to go further in his new book Promises Promises where he writes, “I think of Freud as a romantic writer, and I read psychoanalysis as poetry, so I don’t have to worry whether it is true or even useful”.So what is the relationship of psychoanalysis to literature, and if it is to be reclassified as literature itself can it still be practised as a talking cure?With Adam Phillips, author of Promises Promises: Essays on Psychoanalysis and Literature; Malcolm Bowie, Marshal Foch Professor of French Literature, Oxford University; Lisa Appignanesi novelist and co-author of Freud’s Women.
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