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Radiolab is on a curiosity bender. We ask deep questions and use investigative journalism to get the answers. A given episode might whirl you through science, legal history, and into the home of someone halfway across the world. The show is known for innovative sound design, smashing information into music. It is hosted by Lulu Miller and Latif Nasser.

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  • Folge vom 29.01.2021
    Smile My Ass
    Candid Camera is one of the most original – and one of the most mischievous – TV shows of all time.  Admirers hailed its creator Allen Funt as a poet of the everyday. Critics denounced him as a Peeping Tom.  Funt sought to capture people at their most unguarded, their most spontaneous, their most natural.  And he did. But as the show succeeded, it started to change the way we thought not only of reality television, but also of reality itself.  Looking back at the show now, a half century later, it’s hard NOT to see so many of our preoccupations – privacy, propriety, publicity, authenticity – through a funhouse mirror, darkly. This episode was reported by Latif Nasser and produced by Matt Kielty.  Special Thanks to: Bertram van Munster, Fred Nadis, Alexa Conway, the Eastern Airlines Employee Association and Eastern Airlines Radio, Rebecca Lemov, Anna McCarthy, Jill Lepore, Cullie Bogacki Willis III, Barbara Titus and the Funt family.  Support Radiolab by becoming a member today at Radiolab.org/donate.    
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  • Folge vom 16.01.2021
    Post Reports: Four Hours of Insurrection
    We’re all still processing what happened on January 6th. Despite the hours and hours of video circulating online, we still didn’t feel like we had a visceral, on-the-ground sense of what happened that day. Until we heard the piece we’re featuring today. The Washington Post’s daily podcast Post Reports built a minute-by-minute replay of that day, from the rally, to the invasion, to the aftermath, told through the voices of people who were in the building that day -- reporters, photojournalists, Congresspeople, police officers and more. It’s some of the most visceral reporting we’ve heard anywhere on this historic moment. Listen to their full episode here.  
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  • Folge vom 15.01.2021
    More Money Less Problems
    Back in March 2020, when the COVID-19 pandemic was just beginning and the shelter-in-place orders brought the economy to a screeching halt, a quirky-but-clever idea to save the economy made its way up to some of the highest levels of government. Congresswoman Rashida Tlaib proposed an ambitious relief bill to keep the country’s metaphorical lights on: recurring payments to people to help them stay afloat during the crisis. And the way Congress would pay for it? By minting two platinum $1 trillion coins. (You read that right).  In this episode, we take a jaunt through the evolution of our currency, from the gold-backed bills of the 19th century, to the most powerful computer at the Federal Reserve. And we chase an idea that torpedoes what we thought was a fundamental law of economics. Can we actually just print more money?  This episode was reported by Becca Bressler and was produced by Becca Bressler and Simon Adler. Special thanks to Carlos Mucha, Warren Mosler, David Cay Johnston, Alex Goldmark, Bryant Urstadt, and Amanda Aronczyk.  To learn more about these ideas check out:  Stephanie Kelton's book The Deficit Myth Jacob Goldstein's book Money: The True Story of a Made-Up Thing and the Planet Money podcast Betsey Stevenson's podcast Think Like an Economist  This website for more about #MintTheCoin And for a fun quick read, check out this WIRED article about the surprising origin of the trillion dollar coin.  
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  • Folge vom 13.01.2021
    Sight Unseen
    As the attacks were unfolding on the Capitol, a steady stream of images poured onto our screens. Photo editor Kainaz Amaria tells us what she was looking for--and seeing--that afternoon. And she runs into a dilemma we've talked about before. In December of 2009, photojournalist Lynsey Addario, in was embedded with a medevac team in Afghanistan. After days of waiting, one night they got the call - a marine was gravely wounded. What happened next happens all the time. But this time it was captured, picture by picture, in excruciating detail. Horrible, difficult, and at times strikingly beautiful, those photos raise some questions: Who should see them, who gets to decide who should see them, and what can pictures like that do, to those of us far away from the horrors of war and those of us who are all too close to it? Episode Notes: To hear Kainaz Amaria talk more about the filter, check out:  this post on ethical questions to consider around the sharing of images of police brutality and her interview on On The Media about the double-standard in many U.S. newsrooms when it comes to posting graphic images.  Special thanks to Chris Hughes and Helium Records for the use of Shift Part IV from the album Shift Support Radiolab by becoming a member today at Radiolab.org/donate.    
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