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Radiolab is on a curiosity bender. We ask deep questions and use investigative journalism to get the answers. A given episode might whirl you through science, legal history, and into the home of someone halfway across the world. The show is known for innovative sound design, smashing information into music. It is hosted by Lulu Miller and Latif Nasser.

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  • Folge vom 01.06.2018
    Poison Control
    When reporter Brenna Farrell was a new mom, her son gave her and her husband a scare -- prompting them to call Poison Control. For Brenna, the experience was so odd, and oddly comforting, that she decided to dive into the birth story of this invisible network of poison experts, and try to understand the evolving relationship we humans have with our poisonous planet. As we learn about how poison control has changed over the years, we end up wondering what a place devoted to data and human connection can tell us about ourselves in this cultural moment of anxiety and information-overload. Call the national Poison Help Hotline at 1-800-222-1222 or text POISON to 797979 to save the number in your phone. This episode was reported by Brenna Farrell and was produced by Annie McEwen. Special thanks to Wendy Blair Stephan, Whitney Pennington, Richard Dart, Marian Moser Jones, and Nathalie Wheaton. Thanks also to Lewis Goldfrank, Robert Hoffman, Steven Marcus, Toby Litovitz, James O'Donnell, and Joseph Botticelli.   Support Radiolab today at Radiolab.org/donate.
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  • Folge vom 22.05.2018
    Unraveling Bolero
    This week, we're throwing it back to an old favorite: a story about obsession, creativity, and a strange symmetry between a biologist and a composer that revolves around one famously repetitive piece of music. Anne Adams was a brilliant biologist. But when her son Alex was in a bad car accident, she decided to stay home to help him recover. And then, rather suddenly, she decided to quit science altogether and become a full-time artist. After that, her husband Robert Adams tells us, she just painted and painted and painted. First houses and buildings, then a series of paintings involving strawberries, and then ... "Bolero." At some point, Anne became obsessed with Maurice Ravel's famous composition and decided to put an elaborate visual rendition of the song to canvas. She called it "Unraveling Bolero." But at the time, she had no idea that both she and Ravel would themselves unravel shortly after their experiences with this odd piece of music. Arbie Orenstein tells us what happened to Ravel after he wrote "Bolero," and neurologist Bruce Miller helps us understand how, for both Anne and Ravel, "Bolero" might have been the first symptom of a deadly disease.  Support Radiolab today at Radiolab.org/donate. Read more: Unravelling Bolero: progressive aphasia, transmodal creativity and the right posterior neocortex Arbie Orenstein's Ravel: Man and Musician
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  • Folge vom 18.05.2018
    More or Less Human
    Seven years ago chatbots - those robotic texting machines - were a mere curiosity. They were noticeably robotic and at their most malicious seemed only capable of scamming men looking for love online. Today, the chatbot landscape is wildly different. From election interference to spreading hate, chatbots have become online weapons. And so, we decided to reinvestigate the role these robotic bits of code play in our lives and the effects they’re having on us. We begin with a little theater. In our live show “Robert or Robot?” Jad and Robert test 100 people to see if they can spot a bot. We then take a brief detour to revisit the humanity of the Furby, and finish in a virtual house where the line between technology and humanity becomes blurrier than ever before. This episode was reported and produced by Simon Adler. Our live event was produced by Simon Adler and Suzie Lechtenberg. Support Radiolab today at Radiolab.org/donate. Note from the Managing Editor: In the original version of our “More or Less Human” podcast, our introduction of neuroscientist Mavi Sanchez-Vives began with mention of her husband, Mel Slater. We’ve edited that introduction because it was a mistake to introduce her first as someone’s wife. Dr. Sanchez-Vives is an exceptional scientist and we’re sorry that the original introduction distracted from or diminished her work.   On a personal note, I failed to take due note of this while editing the piece, and in doing so, I flubbed what’s known as the Finkbeiner Test (all the more embarrassing given that Ann Finkebeiner is a mentor and one of my favorite science journalists). In addition to being a mistake, this is also a reminder to all of us at Radiolab that we need to be more aware of our blind spots. We should’ve done better, and we will do better.  - Soren Wheeler 
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  • Folge vom 26.04.2018
    Dark Side of the Earth
    Astronauts at the International Space Station can make one request to talk to an earthling of their choice. For some reason, Astronaut Mark Vande Hei chose us. A couple weeks ago, we were able to video chat with Mark and peer over his shoulder through the Cupola, an observatory room in the ISS. Traveling at 17,000 miles an hour, we zoomed from the Rockies to the East Coast in minutes. And from where Mark sits, the total darkness of space isn’t very far away.  Talking to Mark brought us back to 2012, when we spoke to another astronaut, Dave Wolf. When we were putting together our live show In the Dark, Jad and Robert called up Dave Wolf to ask him if he had any stories about darkness. And boy, did he. Dave told us two stories that  became the finale of our show. Back in late 1997, Dave Wolf was on his first spacewalk, to perform work on the Mir. Dave wasn't alone -- with him was veteran Russian cosmonaut Anatoly Solovyev.  Out in blackness of space, the contrast between light and dark is almost unimaginably extreme -- every 45 minutes, you plunge between absolute darkness on the night-side of Earth, and blazing light as the sun screams into view. Dave and Anatoly were tethered to the spacecraft, traveling 5 miles per second. That's 16 times faster than we travel on Earth's surface as it rotates -- so as they orbited, they experienced 16 nights and 16 days for every Earth day. Dave's description of his first spacewalk was all we could've asked for, and more. But what happened next ... well, it's just one of those stories that you always hope an astronaut will tell. Dave and Anatoly were ready to call it a job and head back into the Mir when something went wrong with the airlock. They couldn't get it to re-pressurize. In other words, they were locked out. After hours of trying to fix the airlock, they were running out of the resources that kept them alive in their space suits and facing a grisly death. So, they unhooked their tethers, and tried one last desperate move. In the end, they made it through, and Dave went on to perform dozens more spacewalks in the years to come, but he never again experienced anything like those harrowing minutes trying to improvise his way back into the Mir. After that terrifying tale, Dave told us about another moment he and Anatoly shared, floating high above Earth, staring out into the universe ... a moment so beautiful, and peaceful, we decided to use the audience recreate it, as best we could, for the final act of our live show. This episode was produced by Matt Kielty and Soren Wheeler.  Support Radiolab today at Radiolab.org/donate.
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