Grammy Award-Winning songwriter Amy Wadge fell in love with the harmonica after winning one in a fancy dress competition (she was dressed in a bin liner!). Now she investigates the history and potential of the diatonic instrument, a European the toy which in the hands of expert players became the iconic sound of the Mississippi Delta and the Chicago Blues. Not bad for what was originally a child's toy produced then, as now, in Germany!As music historian Christoph Wagner explains, the very first example of the instrument goes back to Vienna. But millions would soon find their way to the USA, taken there by German emigres fleeing poverty. The poor person's introduction to music, the harmonica would soon find its way to around the globe, from Britain to Australia and even China. But it was in America that it scored its biggest success. And it was there that harmonica technique underwent a transformation, as Chicago -based Joe Filisko explains. Instead of exhaling air, blues players would draw air in, and bend notes to achieve the characteristic sounds of the blues.Amy tries her hand at bending, under the expert tutelage of Steve Lockwood - one of very few people to have studied the harmonica to degree level, and she speaks to one of Britain's best-known players, Paul Jones.It may be the sound of the amplified harmonica popularised the instrument in the 1950s and 1960s, but has it moved on from Chicago Blues and Beatles covers? Canadian beat-boxer Benjamin Darvill - "Son of Dave" - has explored new possibilities with the instrument, and with an original sound that's been heard in edgy TV dramas and commercials. Just going to prove that for all its limitations - 10 holes and 3 octaves - there's life yet the harmonica.
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Folge vom 01.04.2016Suck It and See
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Folge vom 29.03.2016The Women Who Wrote RockKate Mossman tells the story of the long-overlooked female pop and rock writers of the 1960s.As a music journalist herself, when Kate entered the profession she found herself surrounded by men - men who had very definite ideas about how it should be done... writing for monthly magazines that were aimed at men and covering artist who were mainly men. The whole industry of writing about 'serious' popular music seemed to have been established in the late 1960s and the mid-1970s with the writer-characters of Rolling Stone and our own New Musical Express.But there was a time before all this - a time when the newly invented teenagers were finding their feet... and a new kind of journalism was emerging to chronicle the rapidly changing time. A journalism spearheaded by women.There was Nancy Lewis, who wrote for Fabulous and the NME; June Harris, who wrote for Disc, then went to New York and contributed to Rave (as well as marring legendary rock agent and promoter Frank Barsalona); Maureen O'Grady who began her career as a music journalist at Boyfriend and progressed onto Rave, where she also joined Dawn James. And the doyennes of them all was the Evening Standard's Maureen Cleave, to whom John Lennon claimed that the Beatles were bigger than Jesus.Kate Mossman meets them and celebrates the tone of their writing that was so fascinatingly different from rock journalism as we came to know it, and yet captured all the confusion, excitement and social changes of the time.Producer: Paul Kobrak
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Folge vom 25.03.2016The ReturneesOn an August bank holiday in 2014, Shiraz Maher at the International Centre for Study of Radicalisation at Kings College London received an email sent by a disillusioned British jihadist from Syria."We came to fight the regime and instead we are involved in gang warfare. It's not what we came for but if we go back to Britain we will go to jail. Right now we are being forced to fight - what option do we have?"The man in his twenties claimed to represent dozens of other jihadists' desperate to return to the UK but fearing long prison sentences.Gordon Corera explores the British government's response to managing returnees. In the last two years Britain has brought in temporary exclusion orders and is able to confiscate passports to prevent people preparing to travel to Syria.France has gone one step further - since the Paris attacks in November police has placed over 400 citizens under house arrest and can strip French born dual nationals of citizenship. Denmark and Germany have taken a different approach and instead try to rehabilitate rather than imprison; helping young men and women get jobs, housing and education.The Home Office estimates that around 800 British nationals have travelled to Syria since the start of the conflict and that around half of those have returned, though experts say these are conservative figures. What's the best way to deal with this growing threat, particularly when returnees are responsible for attacks such as those in Paris last November?Gordon Corera speaks with Shiraz Maher, Rashad Ali of the Institute of Strategic Dialogue, solicitor Gareth Peirce, Hanif Qadir of the Active Change Foundation and counter-terrorism officer DAC Helen Ball. We also hear from a returnee.Producer: Caitlin Smith.
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Folge vom 22.03.2016The Actors' Gang & The Actors' Gang on the OutsideA two part Seriously following actor Tim Robbins and Rajesh Mirchandani and the theatre programme the Actors' Gang in Norco prison.Part 1: The Actors' GangJust outside of LA in the Californian desert, presenter Rajesh Mirchandani joins 'Shawshank Redemption' star Tim Robbins as he leads acting classes with the segrgated inmates from Norco prison. Rajesh witnesses the transformation of inmates, from tough gangsters into respectable men and gains a unique insight into some of America's toughest social challenges.Rajesh recorded inside the prison with Tim Robbins over a two month period, gaining unique access not only to Tim but also to the inmates. Tim visibly enjoys cult status among the inmates and quickly gains their trust. He is no stranger to prisons, having played an innocent man convicted of murder in "The Shawshank Redemption" and was nominated for a Best Director Oscar for "Dead Man Walking" - a film about a death row inmate. He formed The Actor's Gang, an acting troupe, which runs prison theatre workshop for inmates having spent time in some of LA's toughest prisons whilst researching both films. With re-offending a more likely scenario once they are out of prison, Robbins believes that more should be done whilst they are inside to help them change their ways.Robbins' Hollywood master class ranges from Shakespeare to Commedia dell' arte, a style that originated in 16th-Century Italy and involves actors in masks playing basic character types. Robbins explains that inmates learn to portray four different emotions: happiness, sadness, fear and anger. One of the inmates who Rajesh follows over the course is Mike who is serving a lengthy prison sentence. Mike says, "In the yard, gangs stick to their patch but these classes have helped to make guys see that we don't need to be violent.".Part 2: The Actors' Gang on the OutsideWe followed actor Tim Robbins' work with prisoners on the inside of LA's tough prison system in the acclaimed Radio 4 documentary The Actor's Gang. Three of the actors who we heard in the first documentary have now been released.In the Actor's Gang on the Outside, Rajesh Mirchandani catches up with them to hear their stories. Has taking part in the The Actor's Gang Prison Project helped them turn their lives around and has the acting course had any long term effects on helping with their rehabilitation and adapting to life outside prison?This promises to be a compellingly gritty portrait of crime, second chances and the power of drama.