Frank and fearless teenagers from Company Three youth theatre spent 2020 making a time capsule of their lives in lockdown, from the day their schools shut down to the present. Re-cording on their phones, they created lively, intimate scenes from family life, reflecting on what it means to come of age without the usual rites of passage like exams and school leaving parties. They have lost much - but, as the year went on, they found sides to themselves that took them by surprise, and a new appreciation of relationships with other. Presented by Kezia Adewale and Shilton Freeman, the programme includes songs, jokes, sound recordings and thoughts from many other members of Company Three.Sound design and composition: Jon Nicholls.Producer: Monica Whitlock
Kultur & GesellschaftTalk
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Folge vom 18.06.2021Adults, Almost
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Folge vom 11.06.2021A Sense of MusicMusic can make us feel happy and sad. It can compel us to move in time with it, or sing along to a melody. It taps into some integral sense of musicality that binds us together. But music is regimented, organised. That same 'sense' that lets us lean into Beethoven makes a bad note or a missed beat instantly recognisable. But does that same thing happen in the minds of animals? Can a monkey feel moved by Mozart? Will a bird bop to a beat?Do animals share our 'Sense of Music'?Charles Darwin himself thought that the basic building blocks of an appreciation for music were shared across the animal kingdom. But over decades of scientific investigation, evidence for this has been vanishingly rare.Fresh from his revelation that animals' experience of time can be vastly different to our own, in the award-winning programme 'A Sense of Time', presenter Geoff Marsh delves once more into the minds of different species. This time he explores three key aspects of musicality: rhythm, melody and emotional sensitivity.Geoff finds rhythm is lacking in our closest relatives, the chimpanzees. But it's abundantly clear in a dancing Cockatoo, and internet sensation, named Snowball. He speaks with scientists who have revealed that birds enjoy their own music, but may be listening for something completely different to melody. And Geoff listens to music composed for tamarin monkeys, that apparently they find remarkably relaxing, but which sets us on edge.In 'A Sense of Music', discover what happens when music meets the animal mind.Produced by Rory Galloway Presented by Geoff Marsh
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Folge vom 01.06.2021Descendants: Episode OneOne year on from the toppling of the Colston Statue in Bristol, Descendants asks... how close is each of us to the legacy of Britain's role in slavery? And who does that mean our lives are connected to?Yrsa Daley-Ward narrates seven episodes telling the stories of people whose lives today are all connected through this history.The story begins with Jen Reid – whose image first captured attention of the national and international press after a replacement statue of her appeared on the plinth where Colston once stood. In the first episode, we discover the connection between Jen's ancestors in Jamaica and another family 3000 miles away in Detroit. Scrolling backwards and forwards in time, their stories span 200 years and take us on a journey from a plantation field in Jamaica to a football pitch in Scotland and a connection to a legendary figure of the 20th century.Producers: Polly Weston, Candace Wilson, Rema Mukena Editor: Kirsten Lass Academic consultants: Matthew Smith and Rachel Lang of the Centre for the Study of the Legacies of British Slavery at UCL Additional genealogical research is by Laura Berry
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Folge vom 25.05.2021Daft Punk Is Staying at My House, My HouseIt was 1994, and legendary techno duo Slam were booked to play an event in Disneyland Paris. “We had a couple of days to kill, and a friend got in touch to say he knew these two young French musicians who wanted to give us music they’d made.”The “young French musicians” Thomas Bangalter and Guy-Manuel de Homem-Christo were still in their teens at that point, and Daft Punk was under a year old. Stuart McMillan distinctly remembers hearing their 4-track demo for the first time; “We were blown away!”Composed of Orde Meikle and Stuart McMillan, Slam launched independent electronic record label Soma in 1991. It had a very DIY ethos. Along with manager Dave Clarke, they’d overseen a number of influential releases. It was Slam’s own track ‘Positive Education’ that piqued Thomas and Guy-Manuel’s interest. They recognised Slam as kindred spirits, and Soma as the label they wanted to launch Daft Punk, and that's when things went really wild.This is the story of Daft Punk's earliest beginnings on Glasgow's techno scene.Narration written by Kirstin Innes Narrated by Kate Dickie Mixed by Alison Rhynas Produced by Victoria McArthur