When you limit language, you limit thinking. When you limit thinking, you limit creativity. When you limit creativity, audio storytellers wind up making the same thing over and over and over again and that's not good. That's why producer James T. Green says we need new language to describe our work. And we can start by borrowing from art and architecture.
FeatureLeben & Liebe
Sound School Podcast Folgen
The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.
Folgen von Sound School Podcast
392 Folgen
-
Folge vom 25.10.2022We Need More Words To Describe Audio Stories
-
Folge vom 11.10.2022Hand Over the Cash?Reporter David Weinberg knows the rule: don't pay sources. For fifteen years, he never did – until he reported on Phoenix Jones for the podcast “The Superhero Complex.” What impact did that have on his reporting? David lays it out.
-
Folge vom 27.09.2022Getting Honest —The Editor, Producer RelationshipTypically, what happens between an editor and a producer is private. In this archive episode of the Sound School Podcast from 2014, editor Viki Merrick and producer Will Coley offer listeners a gift taking us behind the scenes for the production of Will's first-person documentary "Southern Flight 242: Bringing My Father Home." As Viki put it, she had to coach Will through "the emotional ditch" to fully tell the story.
-
Folge vom 13.09.2022Darts and Laurels Minus the DartsIn another installment of Sound School’s occasional episodes offering darts and laurels for exceptional and not-so-exceptional work, Rob is offering nothing but laurels. Two for This American Life's episode "Name. Age. Detail." Another for a piece reported in Poland by NPR's Ari Shapiro which used translation to great effect.