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Scotland’s former National Poet Jackie Kay celebrates the tempestuous life of the great blues singer, Bessie Smith. Born in Tennessee in 1894 Bessie was a street singer before she made it big at a time of racial violence and segregation. Jackie Kay remembers growing up as a young black girl in Glasgow and she tells Kirsty Wark how she idolised this iconic singer. In Time’s Witness the historian Rosemary Hill explores the historical shift in focus from the grand sweeping narratives of kings and statesmen to a new interest in the lives of ordinary people. She argues that the turn of the 19th century and the age of the Romantics ushered in a more vibrant and serious debate about the importance of oral history, clothes, music, food and art.The artist Michael Armitage is exhibiting his latest work at the Royal Academy in London until September. Born in Kenya in 1984 but based between Nairobi and London, Armitage is influenced by contemporary East African art and politics, as well as drawing on European art history from Titian to Gauguin. His exhibition Paradise Edict showcases 15 of his large scale works painted on lubugo bark cloth, a material traditionally made in Uganda.Producer: Katy Hickman

Love it or hate it, London dominates the UK politically, economically and culturally. It’s nearly 200 years since one critic famously described the capital as ‘the Great Wen’ a monstrous cyst sucking the life blood from the rest of the country. And for many that belief still stands. In The London Problem: What Britain Gets Wrong About Its Capital City the academic, and Londoner, Jack Brown untangles the complex strands of anti-London rhetoric, separating hyperbole from fact. In 2019 the former special advisor Dominic Cummings told journalists to ‘get out of London. Go and talk to people who are not rich Remainers’, feeding into another perception of the capital. But the city is far from homogenous: 40% of Londoners voted for Brexit, and the population is the most ethnically and religiously diverse and has the greatest levels of poverty, compared to the rest of the country. The writer Jennifer Kavanagh spent two years getting out and talking to people on the streets of London – from beggars, to stall owners, to entertainers to thieves. Let Me Take You By The Hand tells the stories in their own words, of those who work and live in the capital. The German composer George Frideric Handel moved to London in 1712 and made it his home. The countertenor Iestyn Davies celebrates Handel’s life in the capital, following his footsteps from his operatic triumphs in Covent Garden, past his local church in Hanover Square, to his Mayfair home. In Handel’s London Altos, at King’s Place on 24th June, Davies will perform a series of pieces showcasing his best work.Producer: Katy Hickman

In a year when Covid-19 has had a devastating effect on families, with loved ones dying sometimes alone in hospital or without the usual funeral rites, Tom Sutcliffe and guests discuss mortality and what it means to have ‘a good death’.In her latest book, Should We Stay Or Should We Go, the writer Lionel Shriver explores a number of alternative endings. The couple at the centre of her novel make a pact to end their lives when they hit 80, to avoid a slow decline either physically or mentally. As Shriver looks at how that decision might play out in reality, she’s arguing for a more open discussion about the end of life. It’s a view shared by the consultant geriatrician David Jarrett. In 33 Meditations on Death – Notes from the Wrong End of Medicine he draws on family stories and case histories from his three decades treating those who become old and frail. Jarret’s book is an impassioned plea for everyone – old and young – to engage and make plans for the end. The playwright Jack Thorne is part of the collaborative team (with designer Bunny Christie and director Jeremy Herrin) behind the National Theatre’s new play, After Life, based on Hirokazu Kore-eda's award-winning film. It follows a group of strangers as they grapple with the question: if you could spend eternity with just one precious memory, what would it be? Although all the characters are deceased, the play is a celebration of life, and about what matters to us most.Photo credit: Mark Kohn Producer: Katy Hickman