The Documentary Podcast Folgen

Truck drivers are often seen as symbols of freedom and independence. But how free is life on the road today, when the watchful eye of the system is always upon them? One of them is Finnish truck driver Tiia Rajala, who has dreamed of the open road since childhood. As we follow her across Europe, she masters her powerful machine and reflects on the stereotypes surrounding truckers. Sociologist Timo Aho explores what these stereotypes reveal about masculinity, class, and identity.

Reporting on the war in Gaza has only been possible because of the work of Palestinian journalists, because the Israeli government will not let foreign broadcasters – including the BBC – inside the territory to report freely, even now a ceasefire is in place. One month ago, freelance journalist Ghada Al-Kurd began sharing voice notes with us, talking about her life, her hopes, her family, and her days reporting in Gaza City. Her job is dangerous – almost 200 journalists have been killed in Gaza in the past two years – and even with a ceasefire in place, safety is far from reach. Ghada has continued to report for us through her displacements, sharing her treasured memories of pre-war Gaza, and her fears and hopes for its future.Image: Ghada Al KurdWith Asma Khalid in DC, Tristan Redman in London, and the backing of the BBC’s international newsroom, The Global Story brings clarity to politics, business and foreign policy in a time of connection and disruption. For more episodes, just search 'The Global Story' wherever you get your BBC Podcasts.

Art historian Carl Brandon Stehlke is a world expert on the great 15th Century Florentine painter Fra Angelico, and this is his dream project: a historic, once-in-a-lifetime exhibition of the artist's work at the Fondazione Palazzo Strozzi and the Museo di San Marco in Florence. The show brings together more than 140 works from 70 different lenders and reunites the sections of Angelico's great altarpieces, scattered when Napoleon closed the city's churches and convents in the late 18th and early 19th Centuries, now fully restored and seen together for the first time in 200 years. Carl takes Maria Margaronis through the process of mounting such a massive exhibition from conception to grand opening. In the restorers' studios she hears how new technologies are revealing the limpid colours of paintings once thought beyond repair. And in the stillness of the San Marco convent Carl explains how Angelico's intimate, deeply humane frescos guided the friars' meditation and spiritual life, and how he fell in love with the artist's work nearly 50 years ago.