The Ezra Klein Show Folgen

Eve Ewing’s work as a sociologist, poet, visual artist, podcaster and comic book writer manages to do two things that are often in tension: it gives us a clear picture of how race, power and education work in America right now, and envisions a world that could work radically differently.“Dreaming and imagination and possibility are very much key words for the kind of work I want to do,” Ewing says. She’s a sociologist at the University of Chicago who focuses on race and public education, and her book “Ghosts in the Schoolyard” brilliantly examines the closing of several Chicago public schools around 2013 and what they meant to the communities they served. But she has also written Marvel comics and a book for young readers, “Maya and the Robot,” which comes out next week. She hosted the podcast “Bughouse Square,” a collaboration with the Studs Terkel Radio Archive, makes visual art and works on TV productions. She is a public educator in the broadest sense of the term.I wanted to see how one person’s mind keeps all of these projects straight, and how Ewing’s sociology connects to her poetry and comic books. One thread that unites Ewing’s work is that she is often seeking out knowledge in unexpected places and challenging her audience to think about whose experiences and insights we treat as valid when debating policy. Our conversation touched on the role of public schools in low-income communities, quantitative versus “emotional” data, the limits of objectivity in debates, critical race theory and how it can inform politics, her Afrofuturist poetry that looks forward and backward in time, the cultural significance of comics, her feelings about Tony Stark and more.Mentioned: “We Real Cool” by Gwendolyn BrooksGhosts in the Schoolyard: Racism and School Closings on Chicago's South Side by Eve EwingChoosing Homes, Choosing Schools, edited by Annette Lareau and Kimberly GoyetteIronheart #1 by Eve EwingBughouse Square with Eve EwingBook recommendations:  Chlorine Sky by Mahogany L. BrowneHalfway Home: Race, Punishment and the Afterlife of Mass Incarceration by Reuben Jonathan MillerSeverance by Ling MaYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In February, I spoke with Heather McGhee. I’ve been thinking about the conversation ever since. “The American landscape was once graced with resplendent public swimming pools, some big enough to hold thousands of swimmers at a time,” writes McGhee in her recent book, “The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together.” These pools were the pride of their communities, monuments to what public investment could do. But they were, in many places, whites-only. Then came the desegregation orders. The pools would need to be open to everyone. But these communities found a loophole. They could close them for everyone. Drain them. Fill them with concrete. Shutter their parks departments entirely. And so they did.Drained-pool politics — if “they” can also have it, then no one can — are still with us today. They help explain why America still doesn’t have a truly universal health care system, a child care system, or a decent social safety net. Why policy changes that seem incredibly modest by international standards are so often met with backlash. And there are plenty of recent examples: A few weeks ago, Sen. Tom Cotton proposed that rather than abolishing the racist sentencing guidelines for crack cocaine possession, we extend them to powder cocaine, too. This conversation is just as relevant today as it was at the time we recorded it. The lens it offers into American policy and politics is truly invaluable for making sense of so much of what’s going on around us. And it’s message is ultimately a hopeful one: There is a $20 bill lying on the street of American public policy. It’s the vast “solidarity dividends” waiting for us, if we are willing to stand with, rather than against, each other.Recommendations: "Parable of the Sower" by Octavia E. Butler"The Color of Law" by Richard Rothstein“Good Times” (TV series)"The Word Collector" by Peter H. ReynoldsYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Special thanks to Kristin Lin. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recently, I picked up Jeff Tweedy’s “How to Write One Song.” It was a bit of a lark. Tweedy is the frontman for Wilco, one of my favorite bands, but I’m not a songwriter, and I don’t plan to become one. But, unexpectedly, I loved the book. It’s the most generous and approachable guide to the creative process I’ve read.It’s also relentlessly practical: To Tweedy, this really is a process, replete with practices that you can enjoy doing daily. As a writer of a very different sort, I’ve had a blast with them.So I asked Tweedy to come on the show to talk about creativity, ands his approach to it. He debunks the idea that suffering is necessary (or even useful) for the creative process, talks through his relentless search for inspiration, sings and analyzes a few of my favorite songs, analyzes his relationship with his mother, shares some of his tricks for finding fresh language for old ideas and even convinces me to write some poetry.This is a fun one.Book recommendations: Don Quixote by Miguel De Cervantes A Temple of Texts by William H. GassThe MacGuffin by Stanley ElkinYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.