Visionary director David Fincher on Mank, his new film about 1930s Hollywood, as seen through the eyes of screenwriter Herman J. Mankiewicz (Gary Oldman) as he races to finish Citizen Kane with Orson Welles. Mank's screenplay is by Fincher's father Jack Fincher, who started writing it in the early 1990s and died in 2003. David Fincher's other films, which have earned thirty Oscar nominations, include Fight Club, Se7en, The Zodiac, The Social Network, The Curious Case of Benjamin Button , Gone Girl and Panic Room. Fincher also talks about the future of cinema, streaming, and his early career as a director of iconic music videos such as Madonna's Vogue and George Michael's Freedom. Mank is released on Netflix.Presenter: John Wilson
Producer: Timothy Prosser
Studio Manager: Emma Harth
Kultur & GesellschaftTalk
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Live magazine programme on the worlds of arts, literature, film, media and music
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Folge vom 17.12.2020David Fincher
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Folge vom 16.12.2020Boris Giltburg, Christmas films, Party season substitutes2020 marks Ludwig Van Beethoven’s 250th birthday, and pianist Boris Giltburg has taken on the mammoth task of learning, performing and recording all 32 of Beethoven’s piano sonatas. What does it take to learn and record eleven hours of music and what can you learn about one of the world’s most famous composers.? Boris discusses the project and shares an exclusive recording.As Christmas approaches, we all love to curl up with a cocoa in front of a festive film. Netflix and Hallmark are churning out Christmas rom-coms, but why are they so popular? And should we be expecting more from these seasonal sensations? Gavia Baker-Whitelaw and Amanny Mohamed discuss the film phenomenon. Front Row continues our festive foray into the best parties on screen with artist Scottee. We’re turning up Demis Roussos, cracking open a nice bottle of Beaujolais, but no olives for a celebration of Abigail’s Party. Presenter: Tom Sutcliffe Producer: Hilary Dunn Studio Manager: John Boland
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Folge vom 15.12.2020The Lark Ascending at 100, Wonder Woman 1984 reviewed, reading outside your comfort zoneWonder Woman was the film that turned the reputation of DC Comics’ foray into big budget movies around in 2017. Director Patty Jenkins and star Gal Gadot return for the sequel which sees Wonder Woman and her love interest, played by Chris Pine, transplanted from the trenches of World War I to the technicolour world of the 80s. Can they repeat the success of the first instalment? Critic Leila Latif reviews.On the hundredth anniversary of Ralph Vaughan Williams’ The Lark Ascending, violinist Jennifer Pike, who has been playing the piece professionally for over half her life, joins Liv to pull it apart, reveal its mysteries to us, and see what makes it a firm favourite in the British musical consciousness.We know that literature plays a huge role in how we develop our understanding of other people, places and cultures. But a recent survey revealed that of the 11 books the average person reads each year, 33% are either from the same genre or written by the same author and that just 13% of British adults had knowingly read a book from an author of colour over the course of the past year. Liv is joined to explore how we can read differently by two people who’ve been seeking inspiration from unusual sources this year: Stig Abell, who has just published Things I Learned on the 6:28, a diary of his reading over a year, and Amrou Al-Kadhi whose work is featured in an innovative book club which encourages its members to read across borders.Presenter: Liv Little Producer: Tim Prosser Studio Manager: John Boland
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Folge vom 14.12.2020John le Carré tribute; Comedy double act The Pin; Aliza NisenbaumNovelist William Boyd and Timothy Garton Ash, Professor of European Studies at Oxford, reflect on the work of John le Carré exploring why he was more than a spy novelist, and how history shaped his novels and how they then shaped history.Comedy duo The Pin join Samira to talk about their West End debut “The Comeback”, which wittily dissects the dynamics of double acts. Ben Ashenden and Alex Owen’s show has been described by Sonia Friedman as “the cure for theatre” in these Covid times.Aliza Nisenbaum, the Mexican-born New York-based artist, is currently in her temporary studio in Los Angeles in lockdown. From there she discusses her new exhibition at Tate Liverpool, a series of portraits of key workers in the city that she painted during online conversations in August, including an entire team from the Emergency Department at Alder Hey Children’s Hospital and other NHS staff on the Covid frontline.Presenter: Samira Ahmed Producer: Simon Richardson Studio Manager: Tim Heffer