Front Row Folgen

Ryan Murphy’s new film, The Prom, bursts into song and dance as four down-on-their-luck Broadway stars descend on a small Indiana town in support of a girl who just wants to go to the high school Prom with her girlfriend. The cast includes Meryl Streep, James Corden and Nicole Kidman and the critical reception in the US has been polarised; what does our reviewer Karen Krizanovich make of it?When theatre director Rebecca Frecknall and playwright Chris Bush began rehearsals for the show that would re-open London's Almeida Theatre after lockdown they had the title, Nine Lessons and Carols, but nothing else. They talk to Kirsty about creating a production, from scratch, with a cast that must maintain social distance; a show that addresses these dark times, but warmly welcomes an audience back to the theatre with lights, sound, and stories. A comic strip “Our Plague Year” by artist and illustrator Nick Burton, conceived in collaboration with HOME in Manchester, draws parallels between the Great Plague which struck England in the 17th century and the current Coronavirus epidemic. Set in the Derbyshire village of Eyam which, when The Plague took hold, famously chose to cut off all contact with the outside world to stop the contagion spreading. But it’s not just doom gloom and death, the strip is full of dark humour and makes readers wonder whether human society has really changed all that much between then and now.Presenter: Kirsty Lang Producer: Julian May

Viggo Mortensen joins us live to talk about his new film, Falling, his debut as a director, which he also wrote. It's the story of a conservative father moving from his rural farm to live with his gay son's family in Los Angeles. We’ve been hearing from figures from the creative industries about their Lockdown Discovery, something that has given them great pleasure or solace during the two lockdowns. Today, the novelist Alex Wheatle, aka the Brixton Bard, who has been working with Steve McQueen on his Small Axe series of dramas and who is the subject of this week’s film, reveals his Lockdown Discovery.Would it be Christmas without A Christmas Carol? Even in 2020, there are still many live productions going on. A new film version by siblings Jacqui and David Morris combines voices of Simon Russell Beale, Daniel Kaluuya and Carey Mulligan with dance performances of Russell Maliphant and others. Sarah Crompton and Tobi Kyeremateng review the film and the phenomenon of Dickens’ story – is it particularly resonant this year? And they’ll consider the new National Theatre at Home subscription service as well as making their own cultural picks of the week.The winner of this year’s William Hill Sports Book of the Year is The Rodchenkov Affair: How I Brought Down Putin’s Secret Doping Empire. Grigory Rodchenkov was the head of Russian sport’s doping programme, and this is his detailed account of how he blew the whistle on what's been described by the World Anti-Doping Agency as the biggest sporting scandal in world history. Rodchenkov had to flee Russia and is still in hiding in the US. His editor Drummond Moir discusses the story and the challenges this presented.Presenter: John Wilson Producer: Timothy Prosser Studio Manager: Emma Harth

The fourth in the Netflix series of The Crown, written by Peter Morgan and starring Olivia Coleman as the Queen, has raised questions about its historical accuracy, including from Britain’s Culture Secretary Oliver Dowden. Award winning novelist Naomi Alderman and journalist Simon Jenkins discuss the controversy in the context of the number of recent dramas set in the very recent past about real people.The Royal Academy in London has reopened its doors and is preparing to show Tracey Emin/Edvard Munch: The Loneliness of the Soul, in which 25 of Emin’s works sit alongside a series of oils and watercolours by the Norwegian artist Emin has been in love with since she was 18, in a shared exploration of grief, loss and longing. Described as somewhere between Mad Men and Agatha Christie, ‘The Announcer’ launched on All 4 this week. TV presenter Christine Beauval crashes against the glass ceiling in 1960s France, as she tries to outrun sinister threats on her life. Hannah McGill reviews.Presenter: Kirsty Lang Producer: Hilary Dunn Studio Manager: Emma Harth