In Our Time: Culture Folgen

In a programme first broadcast in May 2019, Melvyn Bragg and guests discuss Mary Shelley's (1797-1851) Gothic story of a Swiss natural philosopher, Victor Frankenstein, and the creature he makes from parts of cadavers and which he then abandons, horrified by his appearance, and never names. Rejected by all humans who see him, the monster takes his revenge on Frankenstein, killing those dear to him. Shelley started writing Frankenstein when she was 18, prompted by a competition she had with Byron and her husband Percy Shelley to tell a ghost story while they were rained in in the summer of 1816 at the Villa Diodati by Lake Geneva.The image of Mary Shelley, above, was first exhibited in 1840.WithKaren O'Brien Professor of English Literature at the University of OxfordMichael Rossington Professor of Romantic Literature at Newcastle UniversityAnd Jane Thomas Professor of Victorian and Early 20th Century Literature at the University of HullProducer: Simon TillotsonThis programme is a repeat

Melvyn Bragg and guests discuss the works and life of one of the most popular writers in Europe in C19th, Amantine Lucile Aurore Dupin (1804-1876) who wrote under the name George Sand. When she wrote her first novel under that name, she referred to herself as a man. This was in Indiana (1832), which had the main character breaking away from her unhappy marriage. It made an immediate impact as it overturned the social conventions of the time and it drew on her own early marriage to an older man, Casimir Dudevant. Once Sand's identity was widely known, her works became extremely popular in French and in translation, particularly her rural novels, outselling Hugo and Balzac in Britain, perhaps buoyed by an interest in her personal life, as well as by her ideas on the rights and education of women and strength of her writing.With Belinda Jack Fellow and Tutor in French at Christ Church, University of OxfordAngela Ryan Senior Lecturer in French at University College CorkAndNigel Harkness Pro-Vice-Chancellor for Humanities and Social Sciences and Professor of French at Newcastle UniversityProducer: Simon Tillotson

Melvyn Bragg and guests discuss Catullus (c84-c54 BC) who wrote some of the most sublime poetry in the late Roman Republic, and some of the most obscene. He found a new way to write about love, in poems to the mysterious Lesbia, married and elusive, and he influenced Virgil and Ovid and others, yet his explicit poems were to blight his reputation for a thousand years. Once the one surviving manuscript was discovered in the Middle Ages, though, anecdotally as a plug in a wine butt, he inspired Petrarch and the Elizabethan poets, as he continues to inspire many today.The image above is of Lesbia and her Sparrow, 1860, artist unknownWithGail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of OxfordSimon Smith Reader in Creative Writing at the University of Kent, poet and translator of CatullusandMaria Wyke Professor of Latin at University College LondonProducer: Simon Tillotson