In Our Time: Culture Folgen

Melvyn Bragg and guests discuss the range, depth and style of Browne (1605-82) , a medical doctor whose curious mind drew him to explore and confess his own religious views, challenge myths and errors in science and consider how humans respond to the transience of life. His Religio Medici became famous throughout Europe and his openness about his religion, in that work, was noted as rare when others either kept quiet or professed orthodox views. His Pseudodoxia Epidemica challenged popular ideas, whether about the existence of mermaids or if Adam had a navel, and his Hydriotaphia or Urn Burial was a meditation on what matters to humans when handling the dead. In 1923, Virginia Woolf wrote, "Few people love the writings of Sir Thomas Browne, but those that do are the salt of the earth." He also contributed more words to the English language than almost anyone, such as electricity, indigenous, medical, ferocious, carnivorous ambidextrous and migrant.With Claire Preston Professor of Renaissance Literature at Queen Mary University of LondonJessica Wolfe Professor of English and Comparative Literature at the University of North Carolina at Chapel HillAndKevin Killeen Professor of English at the University of YorkProducer: Simon Tillotson

Melvyn Bragg and guests discuss one of Shakespeare's most popular works, written c1595 in the last years of Elizabeth I. It is a comedy of love and desire and their many complications as well as their simplicity, and a reflection on society's expectations and limits. It is also a quiet critique of Elizabeth and her vulnerability and on the politics of the time, and an exploration of the power of imagination.With Helen Hackett Professor of English Literature and Leverhulme Research Fellow at University College LondonTom Healy Professor of Renaissance Studies at the University of Sussexand Alison Findlay Professor of Renaissance Drama at Lancaster University and Chair of the British Shakespeare AssociationProducer: Simon Tillotson

Melvyn Bragg and guests discuss the life and works of Hopkins (1844-89), a Jesuit priest who at times burned his poems and at others insisted they should not be published. His main themes are how he, nature and God relate to each other. His friend Robert Bridges preserved Hopkins' poetry and, once printed in 1918, works such as The Windhover, Pied Beauty and As Kingfishers Catch Fire were celebrated for their inventiveness and he was seen as a major poet, perhaps the greatest of the Victorian age. WithCatherine Phillips R J Owens Fellow in English at Downing College, University of CambridgeJane Wright Senior Lecturer in English Literature at the University of Bristoland Martin Dubois Assistant Professor in Nineteenth Century Literature at Durham UniversityProducer: Simon Tillotson