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In Our Time

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Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world. History fans can learn about pivotal wars and societal upheavals, such as the rise and fall of Napoleon, the Sack of Rome in 1527, and the political intrigue of the Russian Revolution. Those fascinated by the lives of kings and queens can journey to Versailles to meet Marie Antoinette and Louis XIV the Sun King, or to Ancient Egypt to meet Cleopatra and Nefertiti. Or perhaps you're looking to explore the history of religion, from Buddhism's early teachings to the Protestant Reformation. If you're interested in the stories behind iconic works of art, music and literature, dive in to discussions on the artistic genius of Michelangelo's Sistine Chapel and Van Gogh's famous Sunflowers. From Gothic architecture to the works of Shakespeare, each episode of In Our Time offers new insight into humanity's cultural achievements. Those looking to enrich their scientific knowledge can hear episodes on black holes, the Periodic Table, and classical theories of gravity, motion, evolution and relativity. Learn how the discovery of penicillin revolutionised medicine, and how the death of stars can lead to the formation of new planets. Lovers of philosophy will find episodes on the big issues that define existence, from free will and ethics, to liberty and justice. In what ways did celebrated philosophers such as Mary Wollstonecraft and Karl Marx push forward radical new ideas? How has the concept of karma evolved from the ancient Sanskrit texts of Hinduism to today? What was Plato's concept of an ideal republic, and how did he explore this through the legend of the lost city of Atlantis? In Our Time celebrates the pursuit of knowledge and the enduring power of ideas.

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Folgen von In Our Time

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  • Folge vom 25.10.2007
    Taste
    Melvyn Bragg and guests discuss the 18th century obsession with taste. In the mid 18th century the social commentator, George Coleman, decried the great fashion of his time: “Taste is at present the darling idol of the polite world…The fine ladies and gentlemen dress with Taste; the architects, whether Gothic or Chinese, build with Taste; the painters paint with Taste; critics read with Taste; and in short, fiddlers, players, singers, dancers, and mechanics themselves, are all the sons and daughters of Taste. Yet in this amazing super-abundancy of Taste, few can say what it really is, or what the word itself signifies.”From the pens of philosophers to the interior decor of the middle classes, the idea of good and bad taste shaped decisions about dress, wallpaper, furniture, architecture, literature and much more. The period saw an explosion in the taste industries - the origins of Chippendale furniture, Wedgwood pottery and Christie's auction house - and a similar growth in magazines and journals devoted to the new aesthetic, moral and social guidelines. But taste was also a battle ground that pitched old money against new, the city against the country and men against women. With Amanda Vickery, Reader in History at Royal Holloway, University of London; John Mullan, Professor of English at University College London; Jeremy Black, Professor of History at the University of Exeter
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  • Folge vom 18.10.2007
    The Arabian Nights
    Melvyn Bragg discusses the myths, tales and legends of the Arabian Nights.Once upon a time a wealthy merchant grew hot in the sun and sat down under a tree. Having eaten a date, he threw aside the stone, and immediately there appeared before him a Genie of enormous height who, holding a drawn sword in his hand, approached him, and said, “rise that I may kill thee”. This is from The Arabian Nights, a collection of miraculous tales including Ali Baba and the Forty Thieves and Sinbad the Sailor. Forged in the medieval Arab world, it became so popular in Europe that the 18th century Gothic writer Horace Walpole declared “Read Sinbad the Sailor’s Voyages and you will grow sick of Aeneas”.Its origins are Indian and Persian but it was championed initially by an 18th century Frenchman, Antoine Galland. Celebrated for its fabulous stories, it is a patchwork of sex, violence, magic, adventure, and cruelty – a far cry from the children’s book that it has become. With Robert Irwin, Senior Research Associate at the School of Oriental and African Studies, University of London; Marina Warner, Professor in the Department of Literature, Film and Theatre Studies at the University of Essex; Gerard van Gelder, Laudian Professor of Arabic at the University of Oxford.
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  • Folge vom 11.10.2007
    The Divine Right of Kings
    Melvyn Bragg and guests discuss the Divine Right of Kings. In Shakespeare’s Macbeth, the character Malcolm describes the magical healing powers of the king: “How he solicits heaven, Himself best knows; but strangely-visited people, All swoln and ulcerous, pitiful to the eye, The mere despair of surgery, he cures; Hanging a golden stamp about their necks, Put on with holy prayers...”The idea that a monarch could heal with his touch flowed from the idea that a king was sacred, appointed by God and above the judgement of earthly powers. It was called the Divine Right of Kings. The idea resided deep in the culture of 17th century Britain affecting the pomp of the Stuart Kings, the writings of Milton and Shakespeare and the political works of John Locke. It is a story that involves witches, regicide, scrofula, Macbeth, miraculous portraits and some of the greatest poetry in the English language. With Justin Champion, Professor of the History of Early Modern Ideas at Royal Holloway, University of London; Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Clare Jackson, Lecturer and Director of Studies in History at Trinity Hall, Cambridge
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  • Folge vom 04.10.2007
    Antimatter
    Melvyn Bragg and guests discuss Antimatter, a type of particle predicted by the British physicist, Paul Dirac. Dirac once declared that “The laws of nature should be expressed in beautiful equations”. True to his word, he is responsible for one of the most beautiful. Formulated in 1928, it describes the behaviour of electrons and is called the Dirac equation. But the Dirac equation is strange. For every question it gives two answers – one positive and one negative. From this its author concluded that for every electron there is an equal and opposite twin. He called this twin the anti-electron and so the concept of antimatter was born.Despite its popularity with Science Fiction writers, antimatter is relatively mundane in physics – we have created antimatter in the laboratory and we even use it in our hospitals. But one fundamental question remains – why isn’t there more antimatter in the universe. Answering that question will involve developing new physics and may take us closer to understanding events at the origin of the universe. With Val Gibson, Reader in High Energy Physics at the University of Cambridge; Frank Close, Professor of Physics at Exeter College, University of Oxford; Ruth Gregory, Professor of Mathematics and Physics at the University of Durham
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