In Our Time Folgen

Melvyn Bragg investigates the creatives forces of the imagination. Immanuel Kant said, "Imagination is a blind but indispensable function of the soul without which we should have no knowledge whatever but of which we are scarcely even conscious". Imagination has been the companion of artists, scientists, leaders and visionaries but what exactly is it? When did human beings first develop an imagination and why? How does it relate to creativity and what evolutionary function does creativity have? And is it possible to know whether our brains’ capacity for imagination is still evolving? With Dr Susan Stuart, Lecturer in Philosophy of Mind at the University of Glasgow; Steven Mithen, Professor of Early Prehistory at the University of Reading; Semir Zeki, Professor of Neurobiology at the University of London and author of Inner Vision: An Exploration of Art and the Brain.

Melvyn Bragg and guests discuss Muslim Spain. In 711 a small army of North African Berbers invaded Spain and established an Iberian Islamic culture that would last for over 700 years. Despite periods of infighting and persecution, Muslim Spain was a land where Muslims, Jews and Christians co-existed in relative peace and harmony. Its capital, Cordoba, although not unique amongst Spanish cities, became the centre and focus for generations of revered and respected philosophers, physicians and scholars. By the 10th century Cordoba was one of the largest cities in the world. But what some historians refer to as Cordoba’s Golden Age came to an end in the 11th century, when the society was destabilised by new threats from Africa to the South and Christendom to the North. However, it was not until 1492, when Granada fell to the Catholic monarchs Ferdinand and Isabella, that Islamic Spain was well and truly over.In that same year the Jews were expelled from its shores and Christopher Columbus set sail to lead Spanish Christian expansionism into the new world. But how did Muslims, Jews and Christians interact in practice? Was this period of apparent tolerance underpinned by a respect for each other’s sacred texts? What led to the eventual collapse of Cordoba and Islamic Spain? And are we guilty of over-romanticising this so-called golden age of co-existence? With Tim Winter, a convert to Islam and lecturer in Islamic Studies at the Faculty of Divinity at Cambridge University; Martin Palmer, Anglican lay preacher and theologian and author of The Sacred History of Britain, Mehri Niknam, Executive Director of the Maimonides Foundation, a joint Jewish-Muslim Interfaith Foundation in London.

Melvyn Bragg and guests discuss Victorian realism. Henry James said “Realism is what in some shape or form we might encounter, whereas romanticism is something we will never encounter”. A reaction against Romanticism, the realist novel presented life as it was in urbanized, industrial Britain. Attacked as ordinary, mundane, overly democratic and lacking the imaginative demands of poetry, its defendants argued that the ordinariness of life contained a complexity and depth previously unseen and unconsidered. At its best the realist novel was like life itself - complex in appearance, rich in character, diverse in outlook, teeming with ideas and operating on several levels. It was a forum for the confusions of the Victorian age over Christianity and Darwinism, economics, morality and psychology, yet it was also a domestic novel concerned with the individuality of human relationships. From the provincialism of George Eliot’s Middlemarch to Hardy’s bleak and brutal Wessex, Victorian Realism touched all the great Victorian authors, but can it truly be the touchstone of an age which produced the fantasy of Alice in Wonderland, the escapism of Tthe Waterbabies and the abundant grotesquerie of Dickensian London? With Philip Davis, Reader in English Literature at the University of Liverpool and author of The Victorians, a volume of the New Oxford English Literary History; A.N. Wilson,novelist, biographer and author of The Victorians; Dinah Birch; Fellow and tutor in English at Trinity College, Oxford.