The Documentary Podcast Folgen

Three decades after the momentous transition from Apartheid to a democratic South Africa, Fergal Keane returns to see what happened to the hopes and promises of a better nation. In a famous speech thirty years ago, as he collected the Nobel Peace Prize, Nelson Mandela spoke of a “common humanity” in which all South Africans would live “like the children of paradise.” As the BBC’s South Africa correspondent at the time, Fergal Keane, along with his colleague and friend Milton Nkosi, lived through some of the country’s most desperate times. It was a period of extreme violence and loss, but also of great hope. Now Fergal and Milton travel through the country, re-visiting some of the places and people they encountered in the lead up to the end of Apartheid. Through this series they will explore how and why paradise was lost. Presenter: Fergal Keane Producer: John Murphy

The Norwegian town of Kirkenes set on the coast and inside the Arctic Circle, is on the edge of what the Chinese refer to as the Polar Silk Road. The Northern Sea Route or Northeast Passage is an increasingly valuable shipping route for both Russia and China, hugging the Russian coastline to eastern Siberia. In 2010 a ship departed from Kirkenes bound for China with 41,500 tons of iron ore concentrate, arriving 22 days later. Via the Suez canal, the same journey would have taken over 40 days. It was the first time that a non-Russian ship had been along the Northern Sea Route, showing that this was possible and paving the way for China’s Arctic policy. Anna Holligan shines a light on China’s wider ambitions in the Arctic.

Iryna Tsilyk is one of Ukraine’s best known young documentary makers. She made her name following the lives of soldiers, female paramedics and families living on the frontline in East Ukraine after the region was taken over by Moscow-backed separatists. However after Russia’s full-scale invasion brought the war to Iryna’s home city of Kyiv, she decided she could no longer stay behind the camera. So, in her current project, The Red Zone, Iryna is turning the lens on herself and her family.Iryna’s husband, Artem Chekh, is a well-known novelist and journalist. He volunteered to join the army and found himself in Bakhmut, scene of some of the bloodiest fighting. For five days Iryna did not know if he was alive or dead. She is focusing on the anguish she felt over this period and using a series of flashbacks to illustrate their past lives in peacetime.Iryna tells Lucy Ash that to give herself more artistic freedom she has decided on a radical new tool for her work: this film will be an animation. Making films in wartime is a challenge and animation is expensive but Iryna has foreign backers and is determined to tell her own story in her own way.