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The Russian political scientist Ilya Matveev recently described the impact of the West’s sanctions on his country as “30 years of economic development thrown into the bin.” He’s not exaggerating. Economists expect the Russian economy to contract by at least 15 percent of G.D.P. this year. Inflation is spiking. An exodus of Russian professionals is underway. Stories of shortages and long lines for basic consumer goods abound.The U.S. and its allies have turned to sanctions as a way of taking action against Russia’s atrocities without direct military intervention. But to describe these sanctions as anything short of all-out economic warfare is euphemistic. Measures like these might be cloaked in the technocratic language of finance and economics, but the immiseration they cause is anything but abstract.Nicholas Mulder is a historian at Cornell University and the author of the terrifyingly relevant new book “The Economic Weapon: The Rise of Sanctions as a Tool of Modern War.” In it, Mulder focuses on the last time economic warfare was waged at the scale we’re witnessing today, the period between World War I and World War II. And the book’s central lesson is this: We ultimately don’t know what’s going to happen when sanctions of this magnitude collide with the ideologies, myths and political dynamics of a given country. They could persuade the targeted country to back down. But they could also make it so desperate that it becomes more aggressive or lashes out — as Germany and Japan did on the eve of World War II.So this is a discussion about what kind of weapon sanctions are, whether they actually achieve their goals and how they might shape the future of the Russia-Ukraine conflict — and the world. We also explore how sanctions “weaponize inflation,” whether they could lead to Vladimir Putin’s downfall in Russia, the toll they have taken on the Russian economy, how the West can leverage its sanctions to help bring about an end to the war in Ukraine, whether a European energy embargo could backfire, how this economic war is destabilizing countries around the world, the humanitarian crisis U.S. sanctions are helping create in Afghanistan, and what a foreign policy that didn’t rely so heavily on sanctions could look like.This episode is guest hosted by Rogé Karma, the staff editor for “The Ezra Klein Show.” Rogé has been with the show since July 2019, when it was based at Vox. He works closely with Ezra on everything related to the show, from editing to interview prep to guest selection. At Vox, he also wrote articles and conducted interviews on topics ranging from policing and racial justice to democracy reform and the coronavirus.Mentioned:“The Inflation Weapon: How American Sanctions Harm Iranian Households” by Esfandyar Batmanghelidj “Iran, Sanctions and Inflation as a Weapon of Mass Destruction” by Spencer Ackerman Oligarchy by Jeffrey A. Winters“If Joe Biden Doesn’t Change Course, This Will Be His Worst Failure” by Ezra Klein Book recommendations:Collapse by Vladislav M. ZubokThe Perfect Fascist by Victoria de GraziaMy Century by Aleksander WatThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Kate Sinclair and Mary Marge Locker; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“There is a chance that macroeconomic stimulus on a scale closer to World War II levels than normal recession levels will set off inflationary pressures of a kind we have not seen in a generation,” wrote Larry Summers in February 2021. A year later, the debate still rages over the first part of that sentence — the extent to which the American Rescue Plan is responsible for rising prices. But the rest of it is no longer in question: We’re currently experiencing the worst inflationary crisis in decades.Annual inflation was already at its highest rate in decades in January of this year. But there was still a hopeful story you could tell about 2022: As the Covid pandemic eased, spending patterns would normalize, supply chains would strengthen, the labor market would stabilize, and inflation would ease. Then the Russian invasion of Ukraine sent global commodity markets into a tailspin and energy prices to record highs. An Omicron wave hit China, leading to huge lockdowns affecting global supply chains. And while the Fed has responded with the first of many planned interest rate hikes, it looks as though the inflation picture is only going to get worse in the immediate future.For over a year now, Summers — a former U.S. Treasury secretary and current Harvard economist — has been warning about the economy that we appear to be entering. So I invited him to the show to make his case and paint a picture of what he thinks comes next. We discuss why he thinks we’re almost certainly headed toward a recession, why he believes the Fed is engaged in “wishful and delusional thinking,” whether corporations are using this inflationary period as an excuse to goose profit margins, how to avoid a 1970s-style stagflation crisis, whether interest rates are the right tool to be addressing inflation in the first place, why he thinks much more immigration is one of the best tools we have to bring down prices in the long term and much more.Mentioned:Larry Summers’s Mar. 17 Op-Ed in The Washington PostBook Recommendations:The Best and The Brightest by David HalberstamThe Price of Peace by Zachary D. CarterSlouching Towards Utopia by J. Bradford DeLongThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Andrea López-Cruzado; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A good rule of thumb is that whatever Margaret Atwood is worried about now is likely what the rest of us will be worried about a decade from now. The rise of authoritarianism. A backlash against women’s social progress. The seductions and dangers of genetic engineering. Climate change leading to social unrest. Advertising culture permeating more and more of our lives. Atwood — the author of the Booker Prize-winning novels “The Blind Assassin” and “The Testaments,” as well as “The Handmaid’s Tale,” “Oryx and Crake” and, most recently, the essay collection “Burning Questions” — was writing about these topics decades ago, forecasting the unsettling world that we inhabit now. Pick up any one of her 17 published novels, and you will likely come across a theme or a quality of the setting that rings eerily true in the present day.This is especially true of Atwood’s magnum opus, “The Handmaid’s Tale,” which takes place in a future America where climate change, droughts, a decaying economy and falling birthrates lead to the rise of a theocracy in which women called Handmaids are conscripted into childbirth. The repressive regime she created in that novel, Gilead, has been endlessly referred to and reinterpreted over the years because of the wisdom it contains about why people cooperate with — and resist — political movements that destroy the freedom of others. And as recent weeks have shown, we’re far from the day when that wisdom becomes irrelevant to present circumstances.We discuss the deep human craving for stories, why Atwood believes we are engaged in “an arm wrestle for the soul of America,” what makes the stories of the Bible so compelling, the dangerous allure of totalitarian movements, how the shift from coal to oil helped to fuel the rise of modern consumerism, why she thinks climate change will cause even more harm by increasing the likelihood of war than it will by increasing the likelihood of extreme weather, how our society lost its capacity to imagine new utopias, why progressives need to incorporate more fun into their politics, why we should “keep our eye on the mushroom,” Atwood’s take on recent U.F.O. sightings and more. She even sings a bit of a song from the 1950s about the Iron Curtain.Mentioned:Art & Energy by Barry LordBook recommendations:War by Margaret MacMillanBiased by Jennifer L. EberhardtSecrets of the Sprakkar by Eliza ReidCharlotte’s Web by E. B. WhiteLord of the Rings by J. R. R. TolkienThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Kate Sinclair and Mary Marge Locker; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin, Kristina Samulewski, Coral Ann Howells and Brooks Bouson. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.