This was the part of the journey that he loved best: the street lamps gave way to the idea of countryside, and there was a song on the radio as the road opened up ahead. The music made him feel like he could keep driving forever. It was a love song, or a sad song. It reminded him of a time in his life, some town he was in, he could not say where.
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The New Yorker: The Writer's Voice - New Fiction from The New Yorker Folgen
The New Yorker: The Writer's Voice - New Fiction from The New Yorker mit 1 bewerten
The New Yorker: The Writer's Voice - New Fiction from The New Yorker mit 2 bewerten
The New Yorker: The Writer's Voice - New Fiction from The New Yorker mit 3 bewerten
The New Yorker: The Writer's Voice - New Fiction from The New Yorker mit 4 bewerten
The New Yorker: The Writer's Voice - New Fiction from The New Yorker mit 5 bewerten
New Yorker fiction writers read their stories.
Folgen von The New Yorker: The Writer's Voice - New Fiction from The New Yorker
388 Folgen
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Folge vom 07.03.2017Anne Enright Reads "Solstice"
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Folge vom 28.02.2017Zadie Smith Reads "Crazy They Call Me"Take back your mink, take back your pearls. But you don’t sing that song, it’s not in your key. Let some other girl sing it.The type who gets a smile from a cop even if she’s crossing Broadway in her oldest Terylene housedress. You don’t have that luxury. Learn about your ad choices: dovetail.prx.org/ad-choices
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Folge vom 21.02.2017Lore Segal Reads "Ladies' Lunch"Lotte said, “I have not told Alana or Minnie that I’ve died. I thought awhile before telling Sam, but he was fine. He was really very good about it, my poor Sam.” Learn about your ad choices: dovetail.prx.org/ad-choices
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Folge vom 07.02.2017Curtis Sittenfeld Reads “The Prairie Wife”Kirsten’s commute is when she really focusses on whether she has the power to destroy Lucy Headrick’s life. Yes, the question hums in the background at other moments, like when Kirsten is at the grocery store and sees a cooking magazine with Lucy on the cover—it’s just so fucking weird how famous Lucy is—but it’s in the car that Kirsten thinks through, in a realistic way, which steps she’d take. Learn about your ad choices: dovetail.prx.org/ad-choices