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In times of deep sorrow or joy, humans have always turned to music. Archaeologists have found evidence of instruments among very early civilizations. Spiritual communities have centered on music for centuries. We teach our children their ABCs and how to brush their teeth with songs. We dance out our feelings and cry along with sad tunes. What is it about music that enables it to work so powerfully on our bodies, minds and emotions?That is one of the core animating questions of this conversation with Allison Russell. Russell is a Grammy-nominated singer and songwriter whose debut album, “Outside Child,” was named one of the best albums of 2021 by critics at NPR and The Times.Russell has played in bands including Birds of Chicago and Our Native Daughters, traversing folk, rock ’n’ roll, Celtic music, the blues and other genres. But alongside her powerhouse vocals and gorgeous melodies, Russell infuses a deep scholarly curiosity into her songs — not just about the nature and power of music, but also what it can teach listeners about our world.Digging into archives and family history, she explores themes like generational trauma, our relationships to diaspora and migration and how music can build empathic bridges between us in times of deep division. But above all, her songs testify to the sheer human capacity for resilience: our capacity to transcend our darkest times if we hold on, reach out to one another and seek out art that helps console.In this episode, Russell performs four songs with a full band, so listeners can enjoy her infectious art. And then we use those songs as jumping-off points to explore the deeper ideas embedded in her music: why we fall into melodies so soon after our births; how music moves us differently from how books or speeches do; how sound can help regulate our emotions, slow our breathing and rewire our neural networks; how Russell’s melodies and vocal performances come together in her mind; why songs can at times be more persuasive than nonfiction; why our unwillingness to divulge painful secrets goes back to the Victorian era; how generational trauma like the Middle Passage connects to personal trauma in the present; how Russell structures her songs to help people transcend profound pain; what message Russell would send to people who are struggling and much more.This episode contains references to sexual abuse.Mentioned:“The Transmogrification of Trauma into Art” by Allison Russell“Barley” by Birds of Chicago“Real Midnight” by Birds of Chicago“Songs of Our Native Daughters” by Our Native Daughters“The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot“Take Em Away” by Old Crow Medicine Show“The Art of Disappearance” by Hanif AbdurraqibMusic and Book Recommendations:The Bone People by Keri HulmeA Fortune for Your Disaster by Hanif AbdurraqibBreaking the Thermometer by Leyla McCallaCarry Me Home by Mavis Staples and Levon HelmThis episode was guest hosted by Annie Galvin, the associate producer of “The Ezra Klein Show.” Galvin has covered books and music for almost a decade and hosted a season of “Public Books 101,” a public-scholarship podcast she co-created.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Carole Sabouraud and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin, Kristina Samulewski and Erika Duffee. Russell’s band is Monique Ross, Chauntee Ross and Mandy Fer. Additional thanks to Jeff Gruber of Blue House Productions and Allison’s touring engineer, Ross Collier. The songs Russell performs in this episode were written by Allison Russell and Jeremy Thomas Lindsay. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today we're revisiting one of our favorite episodes from this year, with the prolific writer Margaret Atwood.A good rule of thumb is that whatever Margaret Atwood is worried about now is likely what the rest of us will be worried about a decade from now. The rise of authoritarianism. A backlash against women’s social progress. The seductions and dangers of genetic engineering. Climate change leading to social unrest. Advertising culture permeating more and more of our lives. Atwood — the author of the Booker Prize-winning novels “The Blind Assassin” and “The Testaments,” as well as “The Handmaid’s Tale,” “Oryx and Crake” and, most recently, the essay collection “Burning Questions” — was writing about these topics decades ago, forecasting the unsettling world that we inhabit now. Pick up any one of her 17 published novels, and you will likely come across a theme or a quality of the setting that rings eerily true in the present day.This is especially true of Atwood’s magnum opus, “The Handmaid’s Tale,” which takes place in a future America where climate change, droughts, a decaying economy and falling birthrates lead to the rise of a theocracy in which women called Handmaids are conscripted into childbirth. The repressive regime she created in that novel, Gilead, has been endlessly referred to and reinterpreted over the years because of the wisdom it contains about why people cooperate with — and resist — political movements that destroy the freedom of others. And as recent weeks have shown, we’re far from the day when that wisdom becomes irrelevant to present circumstances.We discuss the deep human craving for stories, why Atwood believes we are engaged in “an arm wrestle for the soul of America,” what makes the stories of the Bible so compelling, the dangerous allure of totalitarian movements, how the shift from coal to oil helped to fuel the rise of modern consumerism, why she thinks climate change will cause even more harm by increasing the likelihood of war than it will by increasing the likelihood of extreme weather, how our society lost its capacity to imagine new utopias, why progressives need to incorporate more fun into their politics, why we should “keep our eye on the mushroom,” Atwood’s take on recent U.F.O. sightings and more. She even sings a bit of a song from the 1950s about the Iron Curtain.Mentioned:Art & Energy by Barry LordBook recommendations:War by Margaret MacMillanBiased by Jennifer L. EberhardtSecrets of the Sprakkar by Eliza ReidCharlotte’s Web by E. B. WhiteLord of the Rings by J. R. R. TolkienThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris, Kate Sinclair and Mary Marge Locker; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin, Kristina Samulewski, Coral Ann Howells and Brooks Bouson. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With Roe now overturned, the evangelical movement has achieved one of its decades-old political priorities. But for many evangelicals, this isn’t the moment of celebration and unity it may have first appeared to be. In the wake of the decision in Dobbs v. Jackson Women’s Health Organization, Russell Moore — a former president of the Ethics & Religious Liberty Commission, the policy wing of the Southern Baptist Convention — described the state of evangelicalism as one of “disarray.” He argues that surface-level political allegiances paint over much deeper divisions within what has become an increasingly polarized movement. Understanding those divisions and what they portend for evangelicalism is deeply important, in large part because of the movement’s immense power in American politics.Moore is the editor in chief of Christianity Today; the author of numerous books, including “Onward: Engaging the Culture Without Losing the Gospel”; and one of the most visible leaders in the evangelical movement right now. But he has also voiced some of the most stinging criticism of the movement’s current direction. He believes that evangelicals’ embrace of Donald Trump was a mistake and that the way many evangelicals are approaching the culture wars — with what Moore calls a “siege mentality” — is toxic for the faith. He encourages his fellow evangelicals to embrace their role as a “moral minority” in America instead of desperately clinging to political and cultural power. “The shaking of American culture is no sign that God has given up on American Christianity,” he writes in “Onward.” “In fact, it may be a sign that God is rescuing American Christianity from itself.”So this is a conversation about how evangelicalism morphed into the political identity we know it as today, why so many evangelicals have come to embrace apocalyptic thinking about politics and where the movement goes next now that Roe has been overturned.Mentioned“The Supreme Court Needs to Be Less Central to American Public Life” by Russell MooreBook RecommendationsThe Weight of Glory by C.S. LewisMere Christianity by C.S. LewisThe Lion, the Witch and the Wardrobe by C.S. LewisThe Resurrection of the Son of God by N.T. WrightThe Gilead Novels by Marilynne RobinsonThis episode was hosted by Jane Coaston, the host of “The Argument.” Previously, she was the senior politics reporter at Vox, with a focus on conservatism and the G.O.P. Her work has appeared on MSNBC, CNN and NPR and in National Review, The Washington Post, The Ringer and ESPN Magazine, among others.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.​​“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.