The Ezra Klein Show Folgen

Today we're bringing you an episode from our friends at The Argument, about cultural appropriation in creative work. In recent years, book written by white authors like “American Dirt” and “The Help" have been criticized for their portrayals of characters of color. Artists’ job is to imagine and create, but what do we do when they get it wrong?To discuss, Jane Coaston is joined by the Opinion writers Roxane Gay and Jay Caspian Kang. In their work, both have thought deeply about the thorny issues of writing across identities — including what makes work authentic, the pressure of representation for writers of color and the roles social media and the publishing industry play in literary criticism. “I don’t think it’s that complicated,” Roxane says. “It’s not that we divorce identity from the conversation. It’s that we treat it as inherent because we can’t separate out parts of ourselves.”Mentioned:“White Fever Dreams” by Roxane Gay in Gay Magazine“The Pity of the Elites” by Jay Caspian KangThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Rollin Hu, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones and Pat McCusker; mixing by Pat McCusker; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today we're taking a short break and re-releasing one of our favorite episodes from 2022, a conversation with the novelist and Buddhist priest Ruth Ozeki. We'll be back with new episodes next week!The world has gotten louder, even when we’re alone. A day spent in isolation can still mean a day buffeted by the voices on social media and the news, on podcasts, in emails and text messages. Objects have also gotten louder: through the advertisements that follow us around the web, the endless scroll of merchandise available on internet shopping sites and in the plentiful aisles of superstores. What happens when you really start listening to all these voices? What happens when you can’t stop hearing them?Ruth Ozeki is a Zen Buddhist priest and the author of novels including “A Tale for the Time Being,” which was shortlisted for the Booker Prize, and “The Book of Form and Emptiness,” which I read over paternity leave and loved. “The Book of Form and Emptiness” is about Benny, a teenager who starts hearing objects speak to him right after his father’s death, and it’s about his mother, Annabelle, who can’t let go of anything she owns, and can’t seem to help her son or herself. And then it’s about so much more than that: mental illnesses and materialism and consumerism and creative inspiration and information overload and the power of stories and the role of libraries and unshared mental experiences and on and on. It’s a book thick with ideas but written with a deceptively light, gentle pen.Our conversation begins by exploring what it means to hear voices in our minds, and whether it’s really so rare. We talk about how Ozeki’s novels begin she hears a character speaking in her mind, how meditation can teach you to detach from own internal monologue, why Marie Kondo’s almost animist philosophy of tidying became so popular across the globe, whether objects want things, whether practicing Zen has helped her want less and, my personal favorite part, the dilemmas posed by an empty box with the words “empty box” written on it.Mentioned:The Great Shift by James L. KugelBook recommendations:When You Greet Me I Bow by Norman FischerThe Aleph and Other Stories by Jorge Luis BorgesVibrant Matter by Jane BennettThis episode contains a brief mention of suicidal ideation. If you are having thoughts of suicide, call the National Suicide Prevention Lifeline at 1-800-273-8255 (TALK). A list of additional resources is available at SpeakingOfSuicide.com/resources.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“At the very heart of democracy is a contradiction that cannot be resolved, one that has affected free societies from ancient Greece to contemporary America,” write Zac Gershberg and Sean Illing in their new book, “The Paradox of Democracy.” In order to live up to its name, democracy must be open to free communication and expression; yet that very feature opens democracies up to the forces of chaos, fragmentation and demagoguery that undermine them. Historically, this paradox becomes particularly profound during transitions between different communication technologies. “We see this time and again,” Gershberg and Illing write, “media continually evolve faster than politics, resulting in recurring patterns of democratic instability.”For that reason, Gershberg and Illing refer to media ecology — a field dedicated to studying the complex interplay between media, humans and their broader social environments — as “the master political science.” You can’t understand a society’s politics without understanding the mediums through which its people communicate. Radio and TV and Twitter and TikTok each profoundly shape the way we think, the qualities we look for in our politicians, the way we absorb news, the kind of political discourse we engage in and so much more.Illing’s career, in many ways, represents the intersection of these two worlds: He’s trained as a political theorist but eventually switched careers to become a journalist; he’s currently the interviews writer at Vox, where he hosts the podcast “Vox Conversations” and often writes about the nexus of media and politics. So I invited Illing on the show to talk about his new book alongside some of his other work. We discuss: Why mid-century media theorists like Marshall McLuhan and Neil Postman are essential for understanding our current political momentHow the mediums through which we communicate — TV, social media, print news — shape us even more deeply than the content we absorb from themThe surprising dangers of “Sesame Street”Why Abraham Lincoln probably never would have won the presidency in the TV eraHow revolutions in media technology from the printing press to Facebook have destabilized political systemsHow Twitter reshapes the thinking of those who use itWhy Illing believes that democracy is fundamentally a “communicative culture” and not a set of rules and institutionsWhat Donald Trump understood about our media age that the media itself didn’tWhy Steve Bannon’s “flood the zone” media strategy has been so successfulWhether it’s possible to achieve a healthier version of political discourse given our current technologiesAnd much moreThis episode contains strong language.Mentioned:“‘Flood the zone with shit’: How misinformation overwhelmed our democracy” by Sean Illing“Quantifying partisan news diets in Web and TV audiences” by Daniel Muise, Homa Hosseinmardi, Baird Howland, Markus Mobius, David Rothschild and Duncan J. WattsBook Recommendations:Amusing Ourselves to Death by Neil PostmanPublic Opinion by Walter LippmannMediated by Thomas de ZengotitaThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Annie Galvin and Rogé Karma; fact-checking by Michelle Harris, Rollin Hu, Mary Marge Locker and Kate Sinclair; original music by Isaac Jones; mixing by Sonia Herrero, Carole Sabouraud and Isaac Jones; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski. Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.